doraemonserv_acg's Xanga

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Wed, 31 Oct 2007 19:04:41 GMT

Some always think that since I seldom update xagna, I write no blog anymore. Actually I release 8 blog entries everyday in http://doraemonserv.mysinablog.com . Only articles that are too lengthy (e.g. over 100KB) will be put in this xanga!

-- 林智潤

動畫的技術分析大綱

Wed, 03 Oct 2007 19:12:20 GMT

原文為 www.cuhkacs.org/~benng/Bo-Blog/read.php?590 (已被當膠post刪之。)

[編輯] 原文

如何對萌系動畫作技術分析？（圖片由本文作者提供）

屋主前言：近日積極在部屋及其它博客發言的doraemonserv（18歲的男生）寄來〈動畫的技術分析大綱〉一文，我看了很久仍是似懂非懂，不過作者的雄心與熱誠是無容置疑的，我登出此文以作鼓勵。文章多處經大幅文字編輯及删改，所花時間多於自己寫文。作者指出一般漫畫評論重「基本分析」而缺乏「技術分析」，他給我們介紹及定義他所理解的「技術分析」是什麼。欲看未編輯的原文，日後請登doraemonserv的blog。

動畫的技術分析大綱撰文: doraemonserv

小弟做了岡田派御宅族轉眼已8年了。最近一年 Blog 潮興起，而自己亦起了 3 個 xanga，都不是寫個人情感，而是希望寫真正具有參考價值的 Blog。近來，鑑於通識教育(liberal art education)的倡行，為配合我的和新世代御宅精神 (otaku-ism)的教育理想，我開始把我的想法逐一整理成自己的一套動畫理論。《動畫的技術分析》是我的動畫理論的一環，若讀者發現任何不足之處，望請多多指正和包涵！（注意﹕小弟為2005中學會考中文科作文攞 UNCL 的失意者，而且中文打字速度奇慢，因此所有對讀者的回覆盡可能以英文表示。不便之處，敬請原諒！）

技術分析的精神

技術分析 (Technical Analysis) 和基本分析 (Fundamental Analysis) 等名詞在金融學中十分常見。在動畫學中，這兩名詞會被借用來解析動畫的各項符號(symbol)。基本分析文本(text)在 ACG Blog 中十分常見，主要是動畫情節(plot/storyline)、音樂、以至於附屬產物 (accessories) 的分析和反思﹔至於以技巧(techniques, montages)和技術(technology)的技術分析文本則較為少見。例如，許多讀者會對動畫作出一般取向的讀後感(lyrics) ，而非採用較為特殊/專業取向(例如以社會學角度中的階層化理論去研究動漫人物的取態)的分析文本(discourses, reports, etc.)。後者岡田派御宅味道較重，但對於亞太研究中心或動漫畫公司市場及文化部主管等等來說，卻是十分重要的資本。

基本分析文本的用途大多是純粹分享以達至社文功能等，技術分析文本卻不然，它較為學術化，而最主要的目的在於抽取和解析各類閱讀媒介中，情感背後的意識形態/觀念形態。這關乎到所有御宅族共有的研究精神和創造力。

技術分析的四大範疇如下:(1) 分類 (2) 樣本分析 (3) 流程分析 (4) 意識形態/觀念形態運用

以上範疇，不只是動畫，而放諸四海而皆準，是為社會研究 (social research)中文本分析(textual analysis)的一個值得採用的理論架構 (theoretical framework)。它有用的地方在於以知識和資訊傳遞及探索為主，在教學上亦能兼容並蓄，包裝一已觀感之餘亦不失其客觀性。

分類 (Classification by genres)

按照 Alexa 1000 大受歡迎網站 http://bestanime.com/ 的分類法，動畫可分為以下類別﹕(1) 3D Animation (2) Action (3) Adult (4) Adventure (5) Biography (6) Children's (7) Clay Animation (8) Comedy (9) Crime (10) Drama (11) Fantasy (12) Film noir (13) Girl's (14) Historical (15) Horror (16) Magical (17) Maid (18) Mechanical (Martial) (19) Musical (20) Mystery (21) Racing (22) Rescue (23) Robot (24) Romance (25) School SF (26) Sports(27) Thriller (28)War

這種分類不外乎以下列要點作為考慮﹕(1) 介面 (2) 受眾 (3) 主題 (4) 主角類別。對於我來說，有一更概括的二分法值得大家參考﹕(1) 一般性(general), (2) 分化性(differentiated) 一般動性動畫能迎合男女老少，而分化性動畫需要讀者對特定主題(例如魔女 – majo)的理解才能完整地解讀)，否則會形成價值分歧。

另外，根據 helloluke 的流行動畫教學法網站 (其網站已經關閉) ，動畫內容性質可分為﹕(1) 科幻動畫 (2) 攪笑動畫 (3) 少女動畫 (4) 偵探動畫 (5) 動物動畫 (6) 運動動畫 (7) 遊戲動畫 (8) 歷險動畫 (9) 機械動畫。不過我覺得這種分類描述不免有偏見，例如作者沒有提及忍者亂太郎兼包江戶川文化。

樣本分析 (Sample Analysis)

現行許多動畫都屬於科幻類。日本動畫由於主題多元化，很多屬於分化性動畫，產生了各類例如生與死的議題，引起 ACG 各行各業的反思。以下有 2 個樣本供大家參考﹕ 1. Doraemon：一般性動畫（School SF） 2. Ojamajo Doremi：分化性動畫（School SF, Girl’s, Magical）它們的分析散見於﹕

Sample Analysis of Animes: Doraemon

http://doraemonserv.mysinablog.com/index.php?op=ViewArticle&articleId=369591

Sample Analysis of Anime: Ojamajo Doremi

http://doraemonserv.mysinablog.com/index.php?op=ViewArticle&articleId=369595

流程分析

動畫製作流程包含許多元素，而最常見的是聲優(C.V.)。例如， feenlance C.V. 大育谷江曾經為小魔女 Doremi 的小花 (hana) 和寵物小精靈的比卡超 (pikachu) 配音。另外，配樂員亦是一幕後主打﹕例如，太田美知彥曾經創作Toei Animation 的數碼暴龍 04 (Digimon Frontier) 開片曲 Fire!! 和TV-Tokyo的音樂小彗星 Interim Song 星に願いを。還有的是，音樂小彗星的創作班底（cast）曾利用在同人誌市場中流行的貴價 OpenType字體，DFKinBun-W3 (華康金文體, by Dynalab Co. Ltd.)。這反映了動畫製作成本的高昂。

要提的是，以下為動畫播放流程：

1. Introduction/Preview (can be as long as 2 minutes)
2. Opening Theme (100 seconds to 120 seconds)
3. Acknowledgement (<45 second)
4. Episode (Part 1)
5. Dynamic Eyecatches (x2, <15 second in total)
6. Episode Part 2, <22 minute in total)
7. Ending Theme (80 seconds to 110 seconds)
8. Next Eposide Preview (<2 minutes)
9. Static Eyecatch;　Appendix (<5 second;<5 minute)

TVB經常為本地廣告收益把３，５，８，９刪掉，使動畫失去原味 (尤其是日式麵包王的小知識部分)。

意識形態/觀念形態運用

意識形態/觀念形態運用有16 大範疇： 1. Application of Aikolises (girls) 2. Konoacoustic (musical) Applications 3. Doujin CGs 4. Games 5. Tourism 6. X-alcites (Localcite, Nationalcite and Golbalcite) 7. Reduction of Hentaicity (#H) 8. Education 9. Textual and Visual Literature 10. Otakuism 11. Kusokonism 12. Cosplay (Costume Play) 13. Lolita and Lolicons 14. Commercial Products 15. Utilities 16. Miscellaneous

關於第１，２範疇的解釋見　

http://doraemonserv.mysinablog.com/index.php?op=ViewArticle&articleId=374813

關於第６範疇的解釋見　

http://doraemonserv.mysinablog.com/index.php?op=ViewArticle&articleId=374818

http://doraemonserv.mysinablog.com/index.php?op=ViewArticle&articleId=374832

http://doraemonserv.mysinablog.com/index.php?op=ViewArticle&articleId=374821

http://doraemonserv.mysinablog.com/index.php?op=ViewArticle&articleId=374827

[編輯] 留言

Note: doraemonserv=doraemonserv2

doraemonserv + 2006/12/28 11:31

Thank you for appreciation of my hardword Orz, webmaster. As far as I know, you originally write English articles for foreigners. Why is the plan now adandoned?

This article servers as the prelude of 甚麼是動畫的意識型態/觀念型態運用? which will comprise more new coined technical terms, and is tailor-made for easy reading. If any reader(s) are interested to take challeange, welcome to read the original article at http://doraemonserv.mysinablog.com/resserver.php?r... IT may solve some of your puzzles, or even create more problems if your English is quite poor. Anyway, should you have any problem, welcome to raise them here and I will try my best to answer them.

doraemonserv + 2006/12/28 11:33

If you find difficulty downloading the original document here, please visit http://doraemonserv.mysinablog.com/index.php?op=ViewAlbum&albumId=31277 and take 429262-動畫的技術分析.doc

doraemonserv + 2006/12/28 12:04

Serveral proofreading to be made:

feenlance ==> freelance

社文 ==> 社交

馮友 + 2006/12/28 13:25 死啦，好多看不明，那些名詞有沒有中譯名？

原來大家也是 MySinaBlog 的，我也加入你的連結了。其實世界上大多是等價交換，中文拿 U 的「代價」就是英文取了 D ，不是很公平嗎？某位姓馮的更慘，中文 A 英文 U ，結果折墮到今日。中文好是沒飯吃的，英文好才有工作找……（下略三千字）

首先是動畫分類，某程度而言是不必太仔細的，反正現在也多了很多甚麼乙女系、腐女系……亂七八糟的。簡單地還是像小說分類地劃分就可以。而流程分析及意識形態，因為是英文白痴，所以全看不明……如果有少量中文解釋會更好。

doraemonserv + 2006/12/28 13:43

Later on I will post a chinese article on 流程分析及意識形態 to explain the 16 aspects.

p.s. I have added your blog in my mysinablog link.

(Note: These articles are rejected from subscription by Ben Ng)

馮友 + 2006/12/28 13:48

回 doraemonserv ：謝謝。

抱歉，要勞煩你另寫中文，真對不起。

回屋主：這一頁在 FireFox 瀏覽時走位嚴重，能否修正？

doraemonserv + 2006/12/28 14:00

More About 流程分析:

http://doraemonserv.mysinablog.com/index.php?op=ViewArticle&articleId=374787

WARNING: ALL ARE ENGLISH.

doraemonserv + 2006/12/28 15:04

More about the proposed syllabuse of technical analysis of animes:

http://doraemonserv.mysinablog.com/index.php?op=ViewArticle&articleId=330145

Cartoonology as the preliminary knowledge of Technical Analysis of Animes:

http://doraemonserv.mysinablog.com/index.php?op=ViewArticle&articleId=335847

Examples of Doremotional/Ideological (意識形態/觀念形態運用) :

http://doraemonserv.mysinablog.com/index.php?op=ViewArticle&articleId=340761

Methodogies of analysis on OJA STUDIES (my theory) ,which includes Technical Analysis:

http://doraemonserv.mysinablog.com/index.php?op=ViewArticle&articleId=340763

Technical Analysis of Animes : Sample Analysis on Tsubasa Reservior Chronicle (翼之奇幻旅程)

http://doraemonserv.mysinablog.com/index.php?op=ViewArticle&articleId=341650

Sample Problems on Techincal Analysis of Animes

http://doraemonserv.mysinablog.com/index.php?op=ViewArticle&articleId=359795

知日部屋屋主 + 2006/12/28 15:13

doraemonserv: the links you have provided are more than enough. Please wait for comments and then join the discussion.

shadowzo + 2006/12/28 16:43

在下英文能看,但寫得爛,只能用中文

有趣之餘,也學到不少東西,暫時未有問題,再消化一下,說起來,原來也是mysina的,容許我追加連結嗎?

doraemonserv + 2006/12/28 17:58

This blog orignally post English article, but soon it decline to do so. You can feel free to add my blog into your favourite. Surely I will add your blog into my favourite. As expected, since Technical Analysis is a rara topic, so far I haven't reveived much feedback.

doraemonserv + 2006/12/28 18:13

By the way, I missed Au Yeung so long. Who else can I discuss about sociology?

Alf + 2006/12/28 18:51

關於分類部份, 把自己的分類法放到後面會比較方便以後對該部份作結論. 而由於引用了兩套分類方式, 相信有必要把兩種分類法進行最低限度的分析與比較, 應該要注意如此份類的意義在哪裏.

樣本分析部份也許偏離了本來目的. 由於目的是讓讀者了解作技術性分析的方法, 所以應該舉的例是不同的文章而不是不同的作品. 由於分析技術本身是中立的, 所以說明分析技術的時候也得把立場獨立於例文的論點之外. 另外, 為同一部作品準備多於一篇不同的文章會比較有效果, 以表現不同方式進行樣本分析會有不同結果. 建議不要只用自己的文章, 也找找看其他人的文章來引用會比較好做.

流程分析部份, 應該注意其英文全名為Flow analysis of concepts and ideas, 所以焦點應該在於製作方面的意念如何表現, 以及經過怎樣的過程變成這樣的表現. 像聲優本身嚴格來說並不是動畫作品的一部份, 只有他們的聲音才是, 所以只是影響流程的一個因素, 當中涉及的商業活動不能當成文章主體來寫.

至於意識形態部份, 似乎跟分類部份混淆了. 要如何分析作品的意識形態才是應該注意的地方.

至於例文中的論法由於跟大綱本身無關不予置評......

doraemonserv + 2006/12/28 19:19

As Alf pointed out, I wanna supplement several points:

1. The genre descriptor by helloluke is deleted in this tailor-made article, but is retained in the original document. The comparision is given here:

a. Helloluke's classification system lack specificity and the standard of reference is quite wanton, while BestAnime's classification system lack descriptors and examples, making the whole system fuzzy.

b. Helloluke's classification lack polythematic packages while BestAnime's classification are far-flunged.

There are vast amount of anime/comic Technical (rare) /Fundermental analysis in http://cabeat.com Interested reader may have crirical analysis on these items.

Flow analysis of concepts and ideas is actually a component of "Doremotional/Ideological Applications" and "Issues on Animes", since it is a form of dor-emotional flow, the related article of which will be announced later. 16 different concepts and ideas are introduced as of to-and-from relationships. The remaning two form of flow: production flow and directional flow, is only meagrely introduced. Actually it has severl theorems to desribe these two flows:

a. Forward doremotion theorem

This means that an direction flow is progressible and extensible. For example, the introduction part of FullMetal Alchemist, which lasts for at most 2 minutes, is not only the preview of the whole eposide, it is actually the component of the episode continuation

b. Backward doremotional theorem

This means that an directional flow is reducible/regressible/contractable. For example, the introduction prt of Ojamajo Doremi, which lasts for 20-30 seconds, serves as a brief summary of the whole plot.

c. Hentaikonicity flow theorem

This law state that any ideology/doremotion is progressible and its increments is NOT negative as time flows by. This is because the doremotional products (i.e. hentaicapacity) allocating for different sets of hentaicity (perference changes) and the ideological input inceases as the microstate (entroppy) of objects is increased by time. As some doremotion depreciate and become less alluring by itself, several hentaicity is sait to be reducible by inputing more ideological input by the doremotional flow.

Sample analysis aims at demonstate the methodology and overview of the classification of animes, the extraction of doremotions of the technical anaiysis texts is called critical (point) analysis or integrated analysis, which will be discussed in my later-announced articles. CVs, strictly speaking, is the key component of not only anime production, but also the survival of the whole anime market and the anime system if we put audience markets into account. Some CVs will becomes a idol/star (eg:堀江由衣) and interact with various broadcasting system such as movie as well.

Strictly speaking, any flow concepts such as demand and supply can fall into the omnipresent framework of flow analysis. Examples of flow analysis in micro economics includes indifference curve analysis on the marginal utlilty and consumer surplus.

So far, any problems?

doraemonserv + 2006/12/28 19:54

supplentary point:

How to distinguish technical writing and fundermental writing?

Fundermental writing is a part of technical writing only if it is objective. For objective item, he/she is parsing a doremotion/plot, not philosophical lyrics of scenic points. For subjective item, it is wholly fundermental since it defy the basic need of a technical wrting - a academic research article.

Here I wanna discuss which type of practical writing in CL&C is regarded as technical writing.

1. Work/Survey Report

It itself is a technical information, it must be converted to technical writing article by simlple integration in order to fully illustrate its expositotry functions.

2. Newspaper articles

It itself is a technical information, it must be converted to technical writing article by forward critical analysis, i.e. to extract its doremotion.

3. Commentaries

It itself is a form of fundermental anaylsis if the writer not only focus on the comments on technical aspects of an object (say anime). Generally, only those who write on techniques and technical aspects of an object wil be treated as technical writing

4. Letters

It is a form of fundermental anaylsis if it is for personal use. It is a form of technical analysis iff it is packaged as report.

5. Proposal

It is a form of technical analysis since technical knowledges has been extracted from the given technical information

6. Speech

It is a form of technical analysis iff it is servers as an introduction/exposition

7. Minutes

IT is a form of technical knowledge, it must be converted to technical writing article by backward critical analysis, i.e. to summarize its doremotion.

8. Introduction

IT is a form of textbook writing, which suit technical analysis BEST.

doraemonserv + 2006/12/28 20:14 As to what topics should be included in Doremotional/Ideological appliaction, it is spectific towards the object you want to analyse. For example, for doremotional applications of Otaku Murdering Incident, we can extract the following topic:

1. Public critism 2. Japanese Police Policy 3. Psychological Analysis 4. Moe Otakus and Okadaian otakus

Anyway, any associates and accessorites (doremotional flows)of the doremotions of the object you studies can be treated as doremotional application , EXCEPT those included flow concepts. media flow and directional flow.

As to the topics should be included in sample analysis, here is some examples:

1. Analysis of the main characters 2. The real scenes 3. Acoustic Applications (eg: Karaoke and BGM) 4. The profile of the author and CAST 5. The Anime company data 6. Advertisement tactics 7. Cutural interactions (eg: tourism) 8. CVs' Profiles 9. Doujin activities related to the anime

Generally, if the content is broad enough, it should be regarded as doremotional flow and thus doremotional applications.

Alfred + 2006/12/28 22:10 Dear doraemonserv,

I really appreciate your effort. But with my utmost respect, I recommend you to read introductions on critical theories and about the uses of jargons, their meaning and such. For example, Ideology. Because this penetrate all levels of consciousness or such (and, we all know about it already long ago!), I believe categorizing the paradigms will be a good start, but further reading in it's discourses and the relationship between media, politics and such would be even better.

And I doubt if it's my problem or you actually made some mistake in grammar and spelling?

知日部屋屋主回覆於 2006/12/28 22:20 I think it is a good advice.

doraemonserv + 2006/12/29 07:07

some spelling mistakes have been commited since the comment corner does not allow proofreading.

doraemonserv + 2006/12/29 07:10

Actually I am digesting 2 English book called "Contemporaty Ideology" and "Soclology of Fashion", which consist "Fundermentalism" and "Feminism". I think they might be useful in my further discouses if I afford to finish the reading.

萬柳居下人 + 2006/12/29 20:56

Sorry, I can't understand the theme of this article...

doraemonserv + 2006/12/30 07:53

> 萬柳居下人

This is because the last part 意識形態/觀念形態運用 is serves as the preamble of my next article-to-be. To prepare this article well, one may visit my blog to look thorough all articles (they are of chronological order).

Nevertheless, your puzzle could be solved if you read my commetns further in the first article in the blog, and have a course on Nippon ideologies.

神無 + 2006/12/31 12:54

先聲明本人對岡田派otaku知之甚少，不知你關於基本分析和技術分析的定義是否是公認的説法。根據我對文學等其他藝術理論以及金融的了解，我認爲意識形態和觀念形態的分析仍然屬於基本分析範疇，只不過比起一般動漫愛好者的分析更加嚴謹更加專業而已。

    在金融理論當中， 基本分析是對宏觀環境的分析，技術分析則是針對金融數據的特徵作純粹的數學處理，屬於微觀分析。文學理論當中也有類似的劃分，運用社會學、心理學、人類文化學等文學之外的方法研究文學作品的分析方法都屬於宏觀的基本分析，技術分析則是單純的研究文學語言本身，專門研究技術分析的理論後來逐漸形成了一門獨立的學科——文學語言學。同樣，電影有電影語言學，音樂也有旋律學。這種微觀的技術分析本質上更貼近藝術作品本身。因爲即使是有著完全相同的文化理念的藝術家，他們創作的作品可能也是完全不同的，基本分析無法解釋這一點，只有分析作品本身的結構、語言及其他表達方式才能達到完整的認識。另一方面，越是大師級的藝術家越關注語言本身，社會文化層面的内涵反而淪爲附庸（像押井守就非常關注肢體語言），基本分析根本無法觸及大師們的靈魂。
    動漫作爲誕生相對較晚的藝術類型，並不是獨立于其他藝術之外的，它也有自己獨特的影像語言（例如通過減幀來加強畫面的速度和力度）。同樣它的分析方法也應與其他藝術理論分析接軌，所以把意識形態分析歸為技術分析，我認爲有些不妥。

doraemonserv + 2006/12/31 13:45

You have raised a good point. I have discoused the principle of technical analysis in my school, and many are puzzled as to whether flow analysis and 意識形態運用(doremotional applications)（ｎｏｔ just 意識形態分析）should be regarded as technical analysis or fundermental analysis. The answer is technical analysis.

Flow analysis consists of 3 parts of analysis on:

1. Production Flow This is the analysis of the elements of the product-formation with respect to time 2. Direction Flow This is the analysis of the elements of the product-formation with respect to time 3. Doremotional Flow This is the analysis of flow concepts. In this regard, those who use already-exist flow concepts, such as demand and supply, is regarded as fundermental anaylsis, which is put into doremotional application. THose who use entirely new/self-made flow concepts , such as the definition of doremotion, should be regarded as technical analysis. Simple applications can be put into doremotional application, but more in-depth discouses of the new theory should be further put into doremotional analysis (意識形態分析).

That is, doremotional application in technical anaiysis is used to embrace fundermental analysis as its subset, while flow analysis aims at building thoretical frameworks of any entirely new flow concepts.

All in all, the detail will be announced in my next article 動畫學的意識型態/觀念型態分析, if Ben Ng allow it to be posted in this blog.

doraemonserv + 2006/12/31 13:53

more to say, fundermental analysis is a general and transdiscipline stuff, where technical analysis should be regarded as a specific subject like the concept of differential equation. Strictly speaking, technical analysis is my packaging method of a theory. The parsing method of a theory is called critical analysis, which will be discussed in next article: 動畫學的各類議題.

priest + 2007/01/02 13:30

首先要說，文中提及的一般性和分化性的簡單易行的區分我是贊同的，不但有市場的實踐意義（不要迷失在過多的分類中），更能強調出前者是一種是符號，后者一種已經是“符號的符號”的特性（第一層的所指成為了新的能指，尤其在otaku文化中）。

然而文章整體感覺讓人覺得某種意義上是為了分類而分類。固然對各個類型的分析都是很重要的，無論是從什麼角度來區分的類型，只要能把該類型的原型與基本結构提取出來，再看其在整個時尚潮流中添入了哪些時代性的元素，這樣的分析才可能具有真正的效力。關于流程，個人覺得根据動畫創作的流程來寫或許更有幫助。首先區分該動畫的基本制作方式（傳統手繪的2d？3d建模？3d建模后再2d化？逐格動畫？ flash？等等），然后根据分鏡頭，原畫，背景，特效（如光影效果），聲優等等環節逐個分析，像沃爾夫林分析繪畫時的思路一樣，從創作者的角度來看待，這樣才不會拔高和曲解了實際的創作過程意思形態的分類意義不大，它必須用在實際作品的分析中才會讓人覺得惊喜

喜歡胡適之先生的話：多做點實事，少談點主義。這里想說的實事，自然是指更具體的分析

doraemonserv + 2007/01/02 14:01

sorry, due to several typo, I type it again:"

> 然而文章整體感覺讓人覺得某種意義上是為了分類而分類。

Yes, because this article shows the framework only.

>關于流程，個人覺得根据動畫創作的流程來寫或許更有幫助。

This is production flow. Detailed production flow description with video can be found at a book called 動畫起風雲 (香港 : 天窗 Press, 2005. ,Author 唐素芬) . I have a raw softcopy for this book, do you wanna get it? You can request it by notifying me via email: doraemonserv@yahoo.com.hk

> 意思形態的分類意義不大

The 16 items are only the list of application area of flow concepts, not classification. (otherwise it is redundant). Doremotional Application(意思形態運用) is not a strict area but a place to illustrate different ideas regarding/relating animation.

doraemonserv + 2007/01/03 12:40

New article: 動畫學的意識型態/觀念型態分析

available at http://doraemonserv.mysinablog.com/index.php?op=ViewAlbum&albumId=31277

doraemonserv + 2007/01/05 18:30

New topic: Applications of Technical Analysis

1. Writing textbooks on anime system 2. Creating exam practices/practice problems for what the texts of theories you packaged in the technical analysis writing. Take otakuism:

假設你是香城中學日本文化協會主席，試為「鬼畜化」現象作專題介紹。

(Hint: refer to http://www.cuhkacs.org/~benng/Bo-Blog/read.php?561)

Solution Guide

鬼畜化：因為種種原因被壓迫、欺凌或無視而導致心律不正，而途中缺乏排解怨氣的渠道進而變得殘酷無情、泯滅人性地對原加害者乃至一般社會大眾進行報復行為的思想轉變過程。

This essay requires the understanding of otakuism. After introducing above definition, deduce examples from the 2 quoted essay:

1. moe otakus sometimes go extreme, eg: 宮崎勤事件

2. some anime fans response to local media inappropiately and hentaily as antisocial act, eg 炸版

3. Framing introductory speeches

4. Building collection servers to preserve doremotions in both animes and reality

doraemonserv + 2007/01/06 18:02

More about Reduction of Hentaicity (#H):

http://doraemonserv.mysinablog.com/index.php?op=ViewArticle&articleId=398136

doraemonserv + 2007/01/13 18:06

A new perspective: Are the following aspects of technical analysis microscopic or macroscopic?

1. Classification 2. Sample Analysis 3. Flow Analysis 4. Doremotional Applications

One may find 1 applies to 2,3 and 4. Classification csan be board or speific. General-Differentiated scale is board (macroscopic) while BestAnime's scale is specific (still macroscopic). Detailed (microscopic) classifications give systems of branches, eg: SF=>Magic Girls Series=> Personal Love=> Teenager Values

doraemonserv + 2007/01/24 18:37

文化差異 (Cultural Discrimination)

 日本動畫的儒家家庭觀和現代化觀念很重。另外，由於大部分日本動畫的創作班底 (cast)為男性，流行音樂的空間思維(spatiality)和寄意(connotation)很重，較國內和美國本動畫只重資訊及教育娛樂(infotainment and edutainment) 有深重的哲理，部分主題(例如手塚治虫和宮崎俊的動畫)更是實驗性和高度分化性，實現了日本人變態(hentai) 的自省極端(extremum)。現行日本動畫無一不帶有御宅族應有的分享式進取心態，與中國人的傾向小道人情和美國人的個人主義成一大對比。
 在此，我以太美田知彥的 Fire!! 為例來分析流行音樂的空間思維(spatiality)和寄意(connotation)：

FIRE!! 作詞：山田ひろし作曲・編曲：太田美知彥歌：和田光司くすぶってた胸(むね)に投(な)げ入(い)れろFIRE!! 地平線(ちへいせん)へココロ飛(と)ばすんだ空回(からまわ)りのキモチを蹴(げ)り上(あ)げたら先(さき)に行(い)くぜ次(つぎ)のフロンティア葉(かな)うさ葉(かな)う発火點(はっかてん)はもうすぐだぜできるできるさ爆発(ばくはつ)してみせるんだ Burn up'n Go!! ☆ゴミ箱(ばこ)を飛(と)び越(こ)えた先(さき)にある未來(みらい) 光(ひかり)をまとってGet a fire power!! ギラギラと燃(も)え上(あ)がれ瞳(ひとみ)のチカラ消(け)せない勇気(ゆうき)でGet a fire power!! (BG: don't take it wrong~) 未知(みち)が満(み)ちてるフ (BG: don't make it wrong~) ロンティアへ (BG: don't take it wrong~) 走(はし)り続(つづ)けるんだ (BG: don't make it wrong~) ?#21531;(きみ)を連(つ)れて?法則(ほうそく)なんて発明(はつめい)すりゃイイんだろ？自分勝手(じぶんかって)もたまに必要(ひつよう)さ言(い)うこと聞(き)け!!逃(に)げ出(だ)したくなるMy heart!! ひとりだってヤラなきゃなんないぜ何処(どこ)から何処(どこ)へ時(とき)は流(なが)れてくんだろう？分(わ)かる分(わ)かるさ疑問(ぎもん)は止(や)まないけどね Get up'n Go!! 階(かい)段(だん)を駆(か)け登(のぼ)る先(さき)にある時代(じだい) 高(たか)まるコドウでGet a fire power!! ギラギラと照(で)り返(かえ)せ裸足(はだし)の太陽(たいよう) 負(ま)けない熱(あつ)さでGet a fire power!! 未知(みち)が満(み)ちてる (BG: don't take it wrong~) フロンティアへ (BG: don't make it wrong~) 走(はし)り続(つづ)けるんだ (BG: don't take it wrong~) ?#21531;(きみ)を連(つ)れて?#12288; (BG: don't make it wrong~)Audio Source : http://audio.xanga.com/doraemonserv2/ddf6d173883/audio.html

 “時(とき)は流(なが)れてくんだろう？“代表作者對時間．人生的疑慮，以響板的聲音與類似火山噴氣的背景音調配合。這是整首歌對歷歷年史 (adventure chronicle) 的主旨句。對比中譯曲只照顧唱片公司守舊的愛情濫調“你願意  我也願意 “，無一感到概嘆！

FIRE!! 作詞：甄健強作曲、編曲：太田美知彥主唱：麥浚龍以最強的鬥志就算要去哪裏我都可以突破幾多百次我也當少少意思永遠未想滿意願我每次碰見更多比試贈我驚天意志能令每一位都知說過十次太悅耳為了實現願望當然不猶疑你願意我也願意在赤色的天空升起彩虹時 Burn up'n Go 在我眉眼裏像有個火堆全部夢想趕緊追我永遠銘記這一句 Get a fire power 在我懷抱裏沒有寒風吹從來未懂得空虛有勇氣再說這一句 Get a fire power 哪個話踢我出去我也未試過退你我做了世界之最要再活五百歲說過就不悔過限制幾多也控制不到我讓理想擁有我其餘就不管那麼多算了別阻嚇我遇上挫折每次也飛得過就算得一個我仍是要開口高歌我信任我永沒錯劃破閃出萬丈光輝的銀河這樣過哪會白過讓我在極浩大的星空巡邏 Get up'n Go!!

參攷資料： 1. Audiostatic Induction: A Case Study of Digimon Frontier http://www.xanga.com/doraemonserv_acg/545841054/audiostatic-induction-a-case-study-of-digimon-frontier.html

doraemonserv + 2007/01/24 18:38

純社會學家的理論模型是天馬行空(conceptual)的，無疑未來御宅族要出人頭地，先要行這學術化之路。希望未來御宅族能早日領會通識教育的博雅精神，為之研究精神的適應(adaption)。

參攷資料： 1. Discussion about the feasibility of current HKSAR-styled liberal studies http://doraemonserv.mysinablog.com/index.php?op=ViewArticle&articleId=335873 2. Suggested reading programme for all otakus in Hong Kong high school and university life Suggested reading programme for all otakus in Hong Kong high school and university life 3. What will an okadaian otaku be if he is being a teacher http://doraemonserv.mysinablog.com/index.php?op=ViewArticle&articleId=354703

doraemonserv + 2007/01/24 18:38

複習問題與解答

１．科學思想(scientific thinking)中的理論中，那些是前向，那些後向？答：跟科學思想順序得出的結論為後向(例如 The Theory of Demand)，反科學思想順序的(例如以社會互動觀察所得直接下結論，並加以推論) 為前向(例如 Conflict Theory)。所有理論帶有方向，故全為 Flow concept。２．御宅族為何要作獨行兵，不願意拍拖（請勿以二次元作答）？答：以免被高度社化的、缺乏自省的女子同化和私化其可導思想

doraemonserv + 2007/01/24 18:39

分析文本的邏輯程式(Logic Programmes of Analytical Text)

參攷資料： 1. How to distinguish technical writing and fundermental writing? http://doraemonserv.mysinablog.com/index.php?op=ViewArticle&articleId=386529

doraemonserv + 2007/01/24 18:39

意識型態/觀念型態的類化及分化概論 (Theory of General and Differentiated Doremotions)

 分化性的意識型態/觀念型態一定有偏陷、專門和具區別性，這就是議題的根本。它最終的目的是發現容觀的多元化真相。
 分化性的意識型態/觀念型態常見於各類流程分析，例如物理學和經濟學等。它們大多有系統、唯物化 (materialistic)和科學化的
 一般性的意識型態/觀念型態一定很籠統、包容性大和常識性，這就是類化(generalization)的根本。分化性的意識型態/觀念型態常見於各類概念，例如天人合一和萬物同源等。它們大多含混、唯心化 (idealistic)和直觀的。

參攷資料： 1. On Doremotion : How a word is after being coined http://doraemonserv.mysinablog.com/index.php?op=ViewArticle&articleId=354693 2. Selected Problems on Theory of General Doremotions. http://doraemonserv.mysinablog.com/index.php?op=ViewArticle&articleId=361740 3. An course to examine associative thinking. http://doraemonserv.mysinablog.com/index.php?op=ViewArticle&articleId=361969

doraemonserv + 2007/01/24 18:39

授集者風格 (Collectorial Stylistology)

 現今社會，不論是創作班底或受眾，皆要參與授集性系競爭(Collectorial Competition)的社會，甚麼建設也要講資源 (resources)。那麼，用甚麼來建設資源?

1. 同人化 (Doujinization) 同人參與，利用人際關係和外界效應 (externalities)的偏私獲得創作靈感是誰也識做。這種做法有時稱為跟風(following-suit)和抄襲 (copycatting)。現行許多高達動畫跟EVA 女主角的人格設定就是一例。同人化引致公式化 (formulatic) 的創作，使另向性(Alternativity)變得極限化。 2. 自主化 (Out-standing) 盡情顯露自我風格、我行我素地創作是突圍而出的一好方法，唯一定要原創才行。橫山光輝不顧同行反對，跟足中國三國歷史編製三國志漫畫正是一例。 3. 無里頭 (kuso and wanton association) 學三八般把任何事情關聯起來，作出任意行為為無里頭作為是也。這除了搞笑外還能 Brainstorming ，不過無里頭太多則淪為幼稚。 Digi Charat 因無里頭式惡搞而被喻為最爛的萌動畫！ 4. 研究及開發 (Research and Development) 這是發展的硬道理，人人皆要做。

doraemonserv + 2007/01/24 18:40

意識型態/觀念型態產物(Doremotional Products)

 這裡牽涉純粹數學的微積分(Calculus)概念，是為社會學(sociology)一大分支——社會計量學 (sociometry)的運用。

假設意識型態/觀念型態是可數的，而且是遞增的時間函數(monotonic increasing function of time)，它的定積分(Definite Integral as the limit of Riemann Sum)就是意識型態/觀念型態產物。它有公有(public)和私有(private, i.e. virtric)之分。由於知識的傳遞和繼承，後期出生的人的意識型態/觀念型態產物——即使年紀尚少，旨可以比前期出生的人的為大。這就是增長定理的推論 (corollary)：後期出生的人意識型態/觀念型態上影響前期出生的人，且具較大內化(internalization)和社化 (socialization)維度。即是說後期出生的人繼承著前期出生的人的人格。例如：百變小櫻中 (Card Captor Sakura)的小櫻的哥哥有偏私(partial) 的性格，而小櫻是常態(common)的，則小櫻必定有偏性剩餘 (partial surplus)。假如小櫻的常態人格有任何遞增 (increment) ，則小櫻的哥哥的偏私人格必會變異。也就是說，小櫻的哥哥的人格可導性 (differentiability)隨著與其年輕的人的互動而增加。這分析同樣適用於現實。由於女性較男性較內化和社化，一個小男孩假女與多名ＭＫ三八們一起甚久，這個小男孩一定會被三八同化(assimilated) ，成為御宅族的天敵——常態師奶男！(見【漫動作】我是「電車男」嗎？)

參攷資料： 1. What is "doremotional product"? http://doraemonserv.mysinablog.com/index.php?op=ViewArticle&articleId=370848

doraemonserv + 2007/01/24 18:41

方向流程定理 (Directional Flow Theorems)

以下有四個新的定理來描述動畫播放流程的特色： 1. 前向意識型態/觀念型態定理(Forward Doremotion Theorem) 這表示一套動畫的意識型態/觀念型態是可序遞的 (progressible) 和可延(extensible)的。例如在鋼之鍊金術師(Fullmetal Alchemist)中的開頭曲前的開場描述(introduction part)（長達兩分鐘）中，所有的 Preview 實際上是情節(episode plot)的發展(development)，讀者沒有這部分很難了解下文。只要這定理在某動畫中存在，這表示了動畫的意識型態/觀念型態產物頗大。 2. 後向意識型態/觀念型態定理(Backward Doremotion Theorem) 這表示一套動畫的意識型態/觀念型態是可迴遞的 (regressible)和可除(reducible)的。例如在小魔女 Doremi(Ojamajo Doremi)中的開頭曲前的開場描述(introduction part)（長達二十秒）中，所有的 Preview 實際上是情節(episode plot)的概結(summary) ，讀者可以不須理會。只要這定理某動畫中存在，這表示了該動畫重包裝而輕內涵。 3. 增長定理(Growth Theorem) 這表示一套動畫的意識型態/觀念型態產物在有新意識型態/觀念型態的輸入下，不論其吸引力是否減弱，其意識型態/觀念型態產物一定會直向和橫向上升。這意味著如果一套動畫有多於一輯 (serial/season)的話(例如 Keroro 軍曹、小魔女 Doremi等)，其多樣性會上升和增值。 4. 橫向意識型態/觀念型態定理(Lateral Doremotion Theorem) 這表示一套動畫的播放流程有分支。例如，寵物小精靈的大木博士講座和日式麵包王的小知識部分為其動畫增值。

參攷資料： 1. Supplementary arguments in 動畫的技術分析大綱 http://doraemonserv.mysinablog.com/index.php?op=ViewArticle&articleId=386528

doraemonserv + 2007/01/24 18:41

意識型態/觀念型態流簡界 (Doremotional Flow)

 純意識型態流可稱為 ideological flow 或意識流 (flow of conscious)，觀念型態流一一包括流程概念在內一一多以 Doremotional Flow 區別。它是隨著時間而改變的。與意識型態/觀念型態流相對的叫固定的原概念(Stock concepts)，例如公理 (axioms)。
 著名作家李怡曾經在經濟日報的副刊登出了「知識貴族面臨挑戰」 一文，指出曾經當過美國前副總統戈爾的丹尼爾‧平克(Daniel H. Pink)出了一本書叫「全新思維(A Whole New Mind – Moving From the Information Age to the Conceptual Age)」，謂隨著科技與全球化的發展，全世界開始進入了一個觀念創新的時代。這對於雄心壯志的岡田派御宅族是很有利的，因為他們的思想體系可以以流程分析弘揚出去，促進大同文化交流，減少歧視。各種各類的產品皆講求美觀、具藝術意味和有時代式特殊設計。對於勇於創新的岡田派御宅族，這又是很有利的因為他們的社會地位逐漸受到重視。因此，本人的動畫學和技術分析等將成為未來御宅族成名的踏腳石，以拋磚引玉。

doraemonserv + 2007/01/24 18:42

技術分析(Technical Analysis) 的流程分析 (Flow analysis) 和意識型態/觀念型態運用 (Doremotional Application) 是在動畫評論中是十分罕見的，而且兩者難度甚高。一般來說，除非一個人有足夠的 IQ 和信心去自創論述系統 (例如 Bill Gate 的 Programming Solution Pattern)，否則很難完成流程分析中的最後一項元素：１．產物流程 (Production Flow) ２．方向流程 (Direction Flow) ３．意識型態/觀念型態流程 (Doremotional Flow) 相比之下，意識型態/觀念型態運用是意識型態/觀念型態流程的運用，比最難的流程分析相對較易。在意識型態/觀念型態流程中，任何流程概念 (Flow concepts)，例如經濟學中的供給概念 (Demand and Supply)皆一一加以論述。本文將採用我國哲學家殷海光類似人生意義金字塔的模組化論述 (modeling) 一一闡述情感背後的意識型態/觀念型態(Doremotion)的本質。

參攷資料： 1. Why can't Technical Analysis be independant of Doremotional Analysis? http://doraemonserv.mysinablog.com/index.php?op=ViewArticle&articleId=370850 2. What is "Doremotional Application"? http://doraemonserv.mysinablog.com/index.php?op=ViewArticle&articleId=370847

doraemonserv + 2007/01/24 18:43

一個岡田派御宅族成員如何進階地研究動畫﹖自創一套理論似乎是一可行的方法，使他(們)成為 Advanced Generation (Pokemon 經常提倡這 idea) 。上回在動畫的技術分析一文講到動畫的意識型態/觀念型態運用之十六大理論範疇，看得大家一頭霧水，真是不好意思。廣義來說，意識型態/觀念型態運用是可以以以下模型 (model) 來表示。

Doremotional Application Flow Model:

Reality ==(source)==> Anime Anime ==(impact)==> Reality

 動畫是一種創作者的媒介(medium/media)，與現實中的受眾(audience)有著從去 (to-and-from)動態的互動關係 (dynamic and interactive relationship)。動畫的意識型態/觀念型態在動畫與現實兩種媒介中實現了雙向的反饋機制 (feedback mechanism)。注意的是，reality 是以整個動畫體系 (anime system) 而言。以下就著動畫學常見典型的意識型態/觀念型態範疇作探究式的論述。
 補充一句，dor-emotion 的定義正正是指情感背後的意識型態/觀念型態，技術分析的 hard-core 是也！對我的前衛入門社會學理論(OJA STUDIES)有興趣的讀者們不妨進入蔽部落格 http://dorameonserv.mysinablog.com/ 參攷一下。

doraemonserv + 2007/01/24 18:44

X-alcites

(以下自創理論為觀察動畫經濟學中的 preference 和 utility的心得)

  “-al” 指為「演化」，而在舊式字典中，”cite”指「仰慕的對象」。 顧名思義，X-alcites  指以  “-al”  為形容詞演變的用詞法，是一個物件喜好接受程度指標。  X-alcites  目前有３種： Localcite (Localcity)， Nationalcite(Nationalcity)和 Globalcite(Globalcity)。它們的定義已經在動畫的技術分析大綱  一文的 link 中提及。許多動畫皆有這類元素，為它們增值。
 任何帶有本土色彩(locality)和全球本地化(glocalization)的動畫皆有 localcites 作為招徠。例如：音樂小彗星採用原作(1963設定關東——鐮倉 (Kaamkura)—— classic 場景和、流星公主  （meteo-san）的 lolita look 和原作者橫山光輝與叮噹作者的師兄關係暗指 (allusion) (見 http://en.wikipedia.org/wiki/Cosmic_Baton_Girl_Comet-san 的描述) ，麥兜故事採用本港舊市區的風貌，小魔女Doremi 採用愛子（Aiko）的大板口音等等。

任何滲透國家色彩的動畫皆有 nationalcites。例如.，超人動畫經常把怪獸打鬥場地設定為東京，故有「大日本主義」的「美稱」；國產藍貓／黑貓警長經常宣揚國產科學知識；各日本動畫，包括叮噹、小魔女Doremi、Keroro軍曹和寵物小精靈等，皆為夏祭(ondu) 製作 Ending Theme 。

 任何滲透全球化(globalization) 思想的動畫皆有 globalcites. 例如：高達動畫經常以地球作為作戰藍本；小魔女Doremi的桃子 (momoko) 提倡世界和平；音樂小彗星有提及 McDonload 的「笑容免費供應」口號。

Reduction of Hentaicity (#H)

(以下自創理論為觀察微觀動畫中個人取向的心得)

先為 hentaicity (變相度)一詞作界說:它又是一個物件喜好接受程度指標 (extent of preference change toward an object)。它是隨著時間而遞減(diminish)，因此它是可迴遞的(reducible/regressible)。在一個意識產物 (ideological product)的容度(capacity)不變台它是與相關意識型態/觀念型態成反比關係。簡單來說，一個物件(例如萌女主角)的吸引度愈大，所需的意識則愈少(例如﹕食色性也)，除非該物件意義深遠(例如 lolita 的來源)。

變相度遞減定律(The law of diminishing hentaicity)暗示了把異相增加可提高一件物件的價值。例如﹕日版音樂小彗星吸引人或突出的地方不外乎雙關語(pun) 的運用﹕英文 comet-san 在日本的拼音是 komettosan，與「不幸的少女」同義——對於御宅族而言，這樣子的知識可為他們增值。

Education

(以下為動畫教育的現象論述)

 動漫線(cabeat.com)成員的 helloluke 曾經提倡過流行動畫教學法，十分有參考價值，可惜此網站因小白肆意炸版而停止運作。其序可於http://www.cabeat.com/pub/index.php?option=com_search&Itemid=5&searchword=%E6%B5%81%E8%A1%8C%E5%8B%95%E7%95%AB%E8%BC%94%E5%8A%A9%E6%95%99%E5%AD%B8%E6%B3%95&submit=%E6%90%9C%E5%B0%8B&searchphrase=any&ordering=newest 找到，而其內容均被轉載至 http://doraemonserv.mysinablog.com/index.php?op=ViewArticle&articleId=340774 。
 在日劇女王的教室，亞久津老師曾經說個學習要有好奇心和研究精神。相信這句觸動了所有御宅族的心聲。(我曾經在 http://en.wikipedia.com/wiki/otaku 一文開設 otakuism 一欄來說明這點，奈何被外國排他性的 wotaku 以 scandalism 為名 – protectionism 為實 - 刪除之！)而我已經配合好我的「偉論」，為各御宅族們炮製好一個 anime syllabus﹕ http://doraemonserv.mysinablog.com/index.php?op=ViewArticle&articleId=382822 這大綱主要以技術分析(technical analysis) 和臨界點分析思維(critical analysis)取代現有但被中國人情感地(emotive)濫用的批判性思考 (critical thinking, 來自馬克思的 Critical Theory)，因為許多對動畫知識無知的權威人土 (pundits)——尤其是把同性戀者和御宅族定性為不正常的研究對象的心理學家，諸如雙失青年(Hikikomori)以至於思覺失調（E.A.S.Y.）等 ——往往作出肆意 (wanton)批評，並美其名為批判性思考。「享負盛名」的中國語文及文化科在1997 年實用文一卷中就國內動畫趨勢要求考生作出評論，加劇了濫用批判性思考的惡相(ojogological)現象，可見犬儒(新儒家的家產官僚，包括考評局)主義害人不淺。
 又因本港偽善的 TVB 對兒歌的宣傳政策氾濫，令各家長、教師等視動畫為純粹兒童娛樂，忽視了其背後的情感和技術價值。這形成了一套「動畫＝幼稚」的師奶式刻板思維(stereotype)，於是各類缺乏自省精神(introspect)的「常人」(common people)，例如電車男中的愛瑪氏，就可以名正言順地歧視御宅族了——這就是動畫教學不能成為正規通識教育(liberal art education)的一重大原因。新一代御宅族實有一套新思維、消滅這因女權主義 (feminism) 而衍生的刻板思維之必要。

doraemonserv2 + 2007/01/24 18:59

授集伺服理論 (The Theory of Collection Servers)

 授集伺服理論的重心是保留和管理(reservative management) 意識型態/觀念型態。一套動畫的版權頂多五十年，而動畫網站隨時不保，假如動畫出土後五十年才來列為文化遺產，屆時大部份受眾都老死了，相關的意識型態/觀念型態因而失傳。因此，此理論為一理想，希望突破版權的限制而成功保留和管理萬變的集體回億。
 一個授集伺服器固然要有 robot 去採納官方和同人資料、音樂、影片、附屬物 (例如 Screensaver)、圖片、網站資料和其分析文本(文獻)。接著，它要設終端機 (indexing service)供文化愛好者參考。

當然，授集伺服器附送兩套枕頭書 The Doremotional Section 和 The Theory Section 當然大好之： The Doremotional Section:

   Section 1: The plot
   Section 2: The acoustic part with lyrical analysis (KonoAcoustic Analysis)
   Section 3: The accessories

The Theory Section:

   Section 1: Technical Analysis
   Section 2: Doremotional Analysis
   Section 3: Critical Analysis
   Section 4: Integrated Analysis

版權的存在為了保護私有化財產，但這不是太小氣了嗎？冇計，這世界就是 Money talks。看來，除非意識型態/觀念型態的交換能取代金錢交換，否則授集伺服理論要把動畫變成 Public Wealth 只是空想。

參攷資料： 1. Issues on Animes: Obstacles of Constructing Collection Servers http://doraemonserv.mysinablog.com/index.php?op=ViewArticle&articleId=376298 2. The theory of Collection Servers - a basic idea of real servers http://doraemonserv.mysinablog.com/index.php?op=ViewArticle&articleId=374798 3. A course of Collection Server http://doraemonserv.mysinablog.com/index.php?op=ViewArticle&articleId=373643

doraemonserv2 + 2007/01/24 19:00 Errata:

另外，根據 helloluke 的流行動畫教學法網站 (其網站已經關閉) ，動畫內容性質可分為﹕

1.科幻動畫科幻動畫是一些沒有科學根據，虛構一些能力(例如魔法、超能力)或生物(例如精靈、外星人)出來作題材的動畫。故事的內容比較特別和創新，使人有種滿足的感覺。「多啦A夢」(舊名為叮噹)，是一部科幻動畫，因為內容涉及虛構的科技發明，在現實中是沒有可能發生。雖然科幻的創作是脫離現實，但卻帶來人們無限的夢想，將來也有可能實現。

2.攪笑動畫雖然很多動畫都有攪笑的成份，但有一些動畫會是以攪笑為題材，目的為娛樂觀眾，沒有帶來任何信息。例如「我的ET同學」、「忍者亂太郎」等。

3.少女動畫少女動畫其實是由少女漫畫改成動畫的。由於少女動畫的人物角色畫得較可愛和美麗，情節很人情化，所以得到廣大歡迎，因此製作少女動畫亦有增長的趨勢。最近期的少女動畫包括有「生肖奇緣」、「外星BB撞地球」、「天使愛美紗」、「小天使糖糖」和「百變小櫻magic card」等。這些動畫不但深受女仔歡迎，其實很多男仔也愛觀看。少女動畫比較注重人與人之間的關係，除了有愛情的元素外，還會有友情和親情的元素。此外，少女動畫另一種特色是偏向表達可愛的一面，人物不但畫得很可愛，而內容亦會有一些得意攪笑的原素。

4.偵探動畫偵探動畫雖然較少，但很深受歡迎。例如「名偵探柯南」、「金田一少年事件簿」等。偵探動畫著重懸疑的情節，讓觀眾去思考和探索事情的結果。

5.動物動畫動物動畫是以動畫為角色，把動物人格化，使動物像人可以說話、做事和思考。最近期的動物動畫是「哈姆太郎」，使倉鼠變成了「高智慧」生物，懂得思考，解決困難。動物動畫的主要特色是把動物畫得可愛化和人格化，使小朋友容易接受和愛戴。

6.運動動畫取材自運動的動畫為數有不少，例如有「足球少將」(踢足球)、「網球王子」(打網球)、「男兒當入樽」(打籃球)等。這些動畫深受男性的觀眾歡迎，對提高參與運動的興趣有不少幫助。

7. 遊戲動畫遊戲動畫是以小朋友喜愛的玩物作題材，往往有很濃厚商業的味道，例如有「遊戲王」(玩遊戲咭)、「激鬥戰車」(玩激鬥戰車)、「爆旋陀螺」(玩陀螺)。遊戲動畫往往對小朋友帶來很大的影響，這些影響通常會是負面的，例如帶玩具上學、花錢買玩具等。不過若這些玩具能在適當時候玩，亦可促進小朋友的思考和人際間交往。如果小朋友能學會動畫背後的做人精神，對心身發展亦有幫助。

8.歷險動畫歷險動畫的內容主要是一些冒險故事為主，主角會朝著一個目的而前進，遇到不同特別的經歷。歷險動畫往往帶有一些科幻成份，使內容更有趣味性和刺激性。例如有「全職獵人」、「冒險少年」、「光明勇士」等。歷險動畫通常會表達一種努力奮鬥、不屈不拗的精神。而且冒險旅程千奇百異，很令觀眾緊張萬分。

9.機械動畫機械動畫深受男性觀眾愛戴，因為機械人通常涉及打鬥場面，科技又高超。近期的機械動畫有「小飛俠‧阿童木」、「數碼傳動戰士」和「高達」等。機械動畫的主要特色是涉及高科技的背景，描述人類未來的世界，創造機械人來戰鬥和為人服務。其實機械動畫不只是打打殺殺，內容都可以很富人情味，就以很出名的小飛俠為例，小飛俠擁有人的心靈，為人與機械創造溝通橋樑。

 不過，這種分類描述不免有偏見，例如作者沒有提及忍者亂太郎兼包江戶川 (edo)文化。

doraemonserv2 + 2007/01/24 19:00

Errata:

現行許多動畫都屬於科幻類 (S.F.) 。日本動畫由於主題多元化，很多屬於分化性動畫，產生了各類例如生與死的議題 (issues) ，引起 ACG 各行各業的反思。以下有 12 項樣本供大家參考﹕ 1. Doraemon

   (with other Series of Fujiko Fujio (藤子不二雄; i.e. 藤本弘 and 安孫子素雄)) (1976-)

(General Anime – S.F., School Life) 2. Ojamajo Doremi (1999-2002, 2004[OVA])

(Differentiated Anime – S.F. , School Life, Magic Girl Series, Love) 3. Pocket Monster (1996-)

(General Anime – S.F. , Nature, Adventure) 4. Digimon (1999-)

(Differentiated Anime – S.F. , Adventure, War and peace) 5. Cosmic Baton Girl Comet-san

  (with other Series of Mitsuteru Yokoyama (橫山光輝)) (2001)

(Differentiated Anime – S.F. , Adventure, Love, Magic Girl Series, Locality of Kamakura) 6. Fullmetal Alchemist (2003-2005)

(Differentiated Anime – S.F. (alchemy), War and peace, polities) 7. Old Master Q (1963-)

(General Anime – Locality of Hong Kong, secularism) 8. McMug and McDull (with The Excreman and The Prince de la Bun) (1991-)

(Differentiated Anime- Locality of Hong Kong, School Life, Secularism) 9. Keroro (2003-)

(Differentiated Anime- S.F. (E.T.), kuso(惡搞), School Life) 10. Tsubasa Reservoir Chronicle (2005-)

(Differentiated Anime – S.F. (maho), Adventure, Love, War and peace) 11. Disneyland Cartoon and Movie Series (1928-)

(General Anime - Miscellaneous, Humour) 12. Black Jack

   (with other Series of  Tezuka Osamu (手琢治虫)) (19731983, 1993{OVA})

(Differentiated Anime- S.F. (medicine), Politics, Secularism)

首五項之分析散見於﹕

Sample Analysis of Animes: Doraemon http://doraemonserv.mysinablog.com/index.php?op=ViewArticle&articleId=369591

Sample Analysis of Anime: Ojamajo Doremi http://doraemonserv.mysinablog.com/index.php?op=ViewArticle&articleId=369595

Sample Analysis of Anime: Pocket Monster http://doraemonserv.mysinablog.com/index.php?op=ViewArticle&articleId=369603

Sample Analysis of Anime: Digimon http://doraemonserv.mysinablog.com/index.php?op=ViewArticle&articleId=369607

Sample Analysis of Anime: Cosmic Baton Girl Comet-san (Komettosan) http://doraemonserv.mysinablog.com/index.php?op=ViewArticle&articleId=369617

doraemonserv + 2007/04/19 11:12

The FULL Version of OJA STUDIES (Which comprise the theory of technical analysis:

http://doraemonserv.googlepages.com/

Thesis of technical analysis:

http://family.lskc.edu.hk/wordpress/wp-content/uploads/2007/03/Technical%20Analysis.doc

[編輯] 影響

Ben Ng's prejudice starts from the comments on doraemonserv2's article by mail: Lack theme, detail and analysis, and contains many self-made jargon making reading difficult. In fact, doraemonserv2's article is pluralistic and multifarious. This hurts doraemonserv2's ego. After then, Ben Ng use the same reason to reject doraemonserv2's further article subscription. Doraemonserv2 then send a petition letter for re-censorship, and the sentence "That's your sole loss, not mine." galvanized Ben Ng, so he ban doraemonserv from his blog. Since then their relationships becomes unfavourable. Since then, the pluralisitc academic raitonal discussion enviornment has been denatured. Ben Ng is now running a stoopping road to infotainment, and the audience of his blog is on the drop as some other scholars of cultural studies and sociology realize that Ben Ng is a hypocrite.

Usually, Ben Ng often ignores Doraemonserv2's important questions using the excuse of busy work. In fact, he is at leisure. Doraemonserv2 felt that he is not respected so he started to criticize Ben Ng in his own blog. Furthermore, Ben Ng always reject Doraemonserv2's suggestion as to the setting up of forum and the mechanism of article subscription for more freelance academic discussion. This shows that conservative Ben Ng is NOT a really avid scholars which Doraemonserv respects. So their rivalry surges.

[編輯] 參考

御宅族
 Doraemonserv2
吳偉明
 Mirror(page1)
Mirror(page2)

Another new blog registerd

Thu, 09 Nov 2006 06:09:26 GMT

This sinablog is found to be more versatile than xanga, so all of the new material will be moved to http://doraemonserv.mysinablog.com/ from now on, if any. (Note: the singblog my be empty since no input is put)

Audiostatic Induction: A Case Study of Digimon Frontier

Thu, 09 Nov 2006 06:08:50 GMT

What ideas can one, including otakaian otakus, induce after reading a anime song with viusal element supported? And, what useful information can be obtained after so?

Let's examine the lyrics with the musical instrument played together with the relevant Opening Theme clip shown. After one have doing so one will know how the flow of anime matches the video and audio in a appropriate way.

Take the Digimon Frontier (2002) as an example; the lyric of its opening theme song is as follows:

FIRE!!

作詞：山田ひろし　

作曲・編曲：太田美知彦

歌：和田光司

くすぶってた胸(むね)に投(な)げ入(い)れろFIRE!!
地平線(ちへいせん)へココロ飛(と)ばすんだ

空回(からまわ)りのキモチを蹴(げ)り上(あ)げたら
先(さき)に行(い)くぜ　次(つぎ)のフロンティア

叶(かな)うさ　叶(かな)う　発火点(はっかてん)はもうすぐだぜ
できる　できるさ　爆発(ばくはつ)してみせるんだ
Burn up'n Go!!

☆ゴミ箱(ばこ)を飛(と)び越(こ)えた先(さき)にある未来(みらい)
　光(ひかり)をまとってGet a fire power!!
　ギラギラと燃(も)え上(あ)がれ　瞳(ひとみ)のチカラ
　消(け)せない勇気(ゆうき)でGet a fire power!!
(BG: don't take it wrong~)
　未知(みち)が満(み)ちてるフ
(BG: don't make it wrong~)
ロンティアへ
(BG: don't take it wrong~)
　走(はし)り続(つづ)けるんだ
(BG: don't make it wrong~)
　“君(きみ)を連(つ)れて”

法則(ほうそく)なんて発明(はつめい)すりゃイイんだろ？
自分勝手(じぶんかって)もたまに必要(ひつよう)さ

言(い)うこと聞(き)け!!逃(に)げ出(だ)したくなるMy heart!!
ひとりだってヤラなきゃなんないぜ

何処(どこ)から　何処(どこ)へ　時(とき)は流(なが)れてくんだろう？
分(わ)かる　分(わ)かるさ　疑問(ぎもん)は止(や)まないけどね
Get up'n Go!!

階(かい)段(だん)を駆(か)け登(のぼ)る先(さき)にある時代(じだい)
高(たか)まるコドウでGet a fire power!!
ギラギラと照(で)り返(かえ)せ　裸足(はだし)の太陽(たいよう)
負(ま)けない熱(あつ)さでGet a fire power!!
　未知(みち)が満(み)ちてる
(BG: don't take it wrong~)
　フロンティアへ
(BG: don't make it wrong~)
　走(はし)り続(つづ)けるんだ
(BG: don't take it wrong~)
　“君(きみ)を連(つ)れて”　
(BG: don't make it wrong~)

☆Repeat

Before the artist starts singing, one would hear a musical instrument, electric guitars generating the circular wavefront of fire, with a sigh "akaa~~~~~~~" as a conscience of it.

        The photo above is a static clip from the dynamic oscillation of the earth, meaning the turbulence of peace to be fixed.

        The photo above is the routine logo which does nothing with the song.

        As the lyric starts, a series of drum sounds starts as a part of the superimposing melodies. The graphical connotation to this is the train. Similar techniques have been found in TV-Tokyo's previous Anime production, Cosmic Baton girl comet-san (2001). In its TVBGM collection CD 1, the first track "星のトレイン" responsible for such a acoustic effect can be found.

begining
くすぶってた胸(むね)に投(な)げ入(い)れろFIRE!!
地平線(ちへいせん)へココロ飛(と)ばすんだ

空回(からまわ)りのキモチを蹴(げ)り上(あ)げたら
先(さき)に行(い)くぜ　次(つぎ)のフロンティア

For the transition part, the graphical connotation of lava is used.

transition
叶(かな)うさ　叶(かな)う　発火点(はっかてん)はもうすぐだぜ
できる　できるさ　爆発(ばくはつ)してみせるんだ
Burn up'n Go!!

In the video, the climax part apparently denote the motion of the main Digimon characters only, and is the less relevant to the audio.

climax
　ゴミ箱(ばこ)を飛(と)び越(こ)えた先(さき)にある未?(みらい)
　光(ひかり)をまとってGet a fire power!!
　ギラギラと燃(も)え上(あ)がれ　瞳(ひとみ)のチカラ
　消(け)せない勇氣(ゆうき)でGet a fire power!!
(BG: don't take it wrong~)
　未知(みち)が?(み)ちてるフ
(BG: don't make it wrong~)
ロンティアへ
(BG: don't take it wrong~)
　走(はし)り?(つづ)けるんだ
(BG: don't make it wrong~)
　“君(きみ)を連(つ)れて”

The time elapsed so far is 1 minute 30 second, which suits the general flow of a 24-minute Anime TV Programme (Advertisements usually take 6 minutes in a half hour)

The remaining part of the song does not belong to the Digimon Frontier opening theme. The melody is repeated. For the transition part the connotation of time "時(とき)は流(なが)れてくんだろう？" functions with the music of clappers and drums.

begining
法則(ほうそく)なんて発明(はつめい)すりゃイイんだろ？
自分勝手(じぶんかって)もたまに必要(ひつよう)さ

言(い)うこと聞(き)け!!逃(に)げ出(だ)したくなるMy heart!!
ひとりだってヤラなきゃなんないぜ

transition
何處(どこ)から　何處(どこ)へ　時(とき)は流(なが)れてくんだろう？
分(わ)かる　分(わ)かるさ　疑問(ぎもん)は止(や)まないけどね
Get up'n Go!!

climax
階(かい)段(だん)を?(か)け登(のぼ)る先(さき)にある時代(じだい)
高(たか)まるコドウでGet a fire power!!
ギラギラと照(で)り返(かえ)せ　裸足(はだし)の太陽(たいよう)
負(ま)けない熱(あつ)さでGet a fire power!!
　未知(みち)が?(み)ちてる
(BG: don't take it wrong~)
　フロンティアへ
(BG: don't make it wrong~)
　走(はし)り?(つづ)けるんだ
(BG: don't take it wrong~)
　“君(きみ)を連(つ)れて”　
(BG: don't make it wrong~)

The climax will be repeat once more. Before so the additional music of drums and electric
guitar accelerates the speed of fire.

Note that the original Opening Theme (video) contains many Digimon characters (with differentiated functions) which are less relevant to the theme of the song (audio). This suggests that anime songs are separable from the general episode flow of anime. Therefore it is useful to explain why many otakaian otakus stress on the music (as a technical aspect) rather than the storyline (as a scenic aspect) in the study of anime. This further helps explain why many non-moe otakus read anime that apparently girl-targeted anime such as Ojamajo Doremi (Toei Animation Ltd.)) and Cosmic Baton Girl Comet-san (TV-Tokyo Ltd.) - the melody of the song, which can be separable from the visual element, draw their attention, henceforth intriguing their interest in exploring the themes of the anime. Hence, one can derive a fact: the production cast of apparently girl-targeted anime and marketing cast put much emphasis on quality (and quantity, in case for Toei Animation Ltd.) of songs for diversification of interests. Certain freelance song composers, like Ootayoshi Tomohiko (太田美知彦), also have play a role in transferring technical support on music. The evidence is that Ootayoshi Tomohiko has also composed a song called Milky Way, for the anime Cosmic Baton girl comet-san again.

Ootayoshi Tomohiko also help TVB compose a Hong Kong version of Fire!!, but both the quality and duration of the song is not as good as the original one.=

FIRE!!

作詞：甄健強
作曲、編曲：太田美知彦
主唱：麥浚龍

以最強的鬥志　就算要去哪裏我都可以
突破幾多百次　我也當少少意思
永遠未想滿意　願我每次碰見更多比試
贈我驚天意志　能令每一位都知

說過十次　太悅耳　為了實現願望當然不猶疑
你願意　我也願意　在赤色的天空升起彩虹時
Burn up'n Go

在我眉眼裏　像有個火堆　全部夢想趕緊追
我永遠銘記這一句　Get a fire power
在我懷抱裏　沒有寒風吹　從來未懂得空虛
有勇氣再說這一句　Get a fire power
哪個話踢我出去　我也未試過退
你我做了世界之最　要再活五百歲

說過就不悔過　限制幾多也控制不到我
讓理想擁有我　其餘就不管那麼多
算了別阻嚇我　遇上挫折每次也飛得過
就算得一個我　仍是要開口高歌

我信任我　永沒錯　劃破閃出萬丈光輝的銀河
這樣過　哪會白過　讓我在極浩大的星空巡邏
Get up'n Go!!

Obviously the ideologies of the two lyrics are totally different as their theme bias. Moreover, as the former use the complete musical instruments of rock 'n roll (at least 3 electric guitars) the latter only use less (one of the must be the song artist, even without using any of the musical instrument), the acoustic effects) further reduces with lack of the "fire" atmosphere. Therefore it is one of the reasons that HK audience tends to reject secondary ideological products (i.e. local songs, especially translated songs) that originate from Japan / America: They demand purer atmosphere generated by the musical instrument rather than emotional connotations of the texts of the lyric. Besides, the latter songs reflect over reliance of repeated mediocre DSP effects in Hong Kong CD studios, and usually infiltrated with personal love as a means of promoting local showbiz market. This makes local audience sick.

Further training of acoustic analysis aids deciphering what an anime really want to say actually playing musical instrument. Otherwise, listening to such a song will be futile and one will only to continue to believe that it as a mere way to relax and entertain. Besides, current songs are scattered ideological products hard to digest (extract) and without enough alert one will be emotionally addicted to it and brainwashed by its theme easily.

Therefore, we can conclude that Anime provides a way for us to decipher the complex songs popular in current societies by parsing the graphics (a representation). It has been a main concern in the flow analysis of Anime. Meaningless privatized comments filled with mere common senses, such as “I love it” (好聽)" OR "I hate it” (不好聽) without detailed analysis, usually fall into the categories of robbing acceptance by the ignorant doers, and the doers of such comments will surely be rejected by otakaian otakus for fear their analytical work should be wasted.

In the coming weeks I will be displaying another example of audiostatic induction: Cosmic Baton Girl Comet-san, with the criticism which involves Cookies.

End note:

1. The pictures of Digimon Frontier opening theme come from http://www.helloluke.net/

2. The score of ‘Fire!!” is available at here.

3. The two song of fires are available at the following links:

a. Fire!! (Original)

http://audio.xanga.com/doraemonserv2/ddf6d173883/audio.html

b. Fire !! (Hong Kong, by Juno Mak)

http://audio.xanga.com/doraemonserv2/90e7c173914/audio.html

(Note one must have Macromedia Flash Player 9 installed)

LMF VVVV 歌詞

Mon, 06 Nov 2006 05:07:34 GMT

打　打　打　打
打　打　打　打

打可以解決問題　（？）
降伏你地我地就無問題（？）
打人根本就唔成問題（？）
問下你地本身有無問題（！）
過黎　show Ｄo野比我睇
過黎　即管放馬過黎
過黎　show Ｄo野比我睇
過黎　即管放馬過黎

o尼邊見到個個都磨拳擦掌
o個陣營人人又咬牙切齒
喂　你地究竟為佐爭ＤMug
為佐ＤMug 　又想征服ＤMug
証明ＤMug　但係你呀有無問過自己做過Ｄ Mug 　呀
有時真係好唔怕老土　我都問多你一句　佢地又做過　ＤMug 　
你地準備佐咁多　係咪為佐証明俾人睇　証明俾人睇
你要企 Mug o野位　你要有幾威
而且出面Ｄ人理得你點睇
佢地淨係認為　有錢就要威
世界無道理　至怕係吃虧
你要威咪睇你點發揮

打可以解決問題　（？）
降伏你地我地就無問題（？）
打人根本就唔成問題（？）
問下你地本身有無問題（！）
過黎　showＤo野比我睇
過黎　即管放馬過黎
過黎　show Ｄo野比我睇
過黎　即管放馬過黎

要發揮　都要睇下你係 Mug o野
睇你係就係　唔係就唔係
死撐難撐人地咪當正你係　當正你係傻仔
俾你爭到又點　爭到第一又
俾你上到又點　上到位又點
做Ｄo野出o黎咁肉酸就棧自己無面
自己落自己面　無人幫到你
無人睇得起你　自己玩死自己
原來你　打生打死都係玩死自己
你死　唔會有人可憐你
汰弱留強根本就係好合理　
兢爭都有分良性惡性　唔係話一味死充人地好勝
根本　視孚就唔代表 Mug o野
最重要你係用Mug o野心態睇o野

等我　職業打殘你
等我　職業打殘你
等我　職業打沉你
等我　職業打笠你

我就係　睇住睇住你點死點死
我就係　睇住睇住你點死點死　ｈｏｈｏｈｏｈｏ
我要睇住你點死
我要睇住你點死
我要睇住你點死
我要睇住你點死死死死死死死死死死.............!

~~~嗚哇~~~~~~嗚哇~~~~~~嗚哇~~~~~~嗚哇~~~

打可以解決問題　（？）
降伏你地我地就無問題（？）
打人根本就唔成問題（？）
問下你地本身有無問題（！）
過黎　showＤo野比我睇
過黎　即管放馬過黎
過黎　show Ｄo野比我睇
過黎　即管放馬過黎
過黎　showＤo野比我睇
過黎　即管放馬過黎
過黎　show Ｄo野比我睇
過黎　即管放馬過黎

LMF 國際人渣歌詞

Mon, 06 Nov 2006 04:36:04 GMT

《国际人渣》

一堆人命一粒子弹 (人渣)
一项计划一个炸弹 (人渣)
你满脑计划都係将生灵涂炭
只有你玩人哋冇得拣
一个民族一个主义 (人渣)
一个大国一堆藉口 (人渣)
你起到咁大都俾佢一嘢撞散
就算你大都唔到你乱咁玩

哼人类几千年文明战争灾难全部都未停过
唔係我打你就係你打我
历史嘅教训从来未吸取过
点解一有事发生
就会有人争住出嚟维持秩序
维持人哋嘅秩序
点解都未坐低倾过就打人屈人有罪
好多人无辜受罪
是非黑白唔可以再分清楚
剩噃落嚟一大片灰色地带
咁多不同嘅意识形态倾唔埋
矛盾冲突凝聚
冇得转带冇理由但佢又诸多藉口
西方大国依旧揾伊拉克买石油
美国仍然做世界最大嘅军火出口
所以憎你係有理由
你仲响处大口狗

碳疽菌嘅杀伤力未必低过可乐
四围起军事基地嘅侵略性
未必低过麦当劳
边个至係想侵略哩个世界
边个至係想霸晒哩个世界
一个大国係侎要有噃啲起码嘅风度
误炸人哋大使馆
你话係侎要道歉
买支古巴雪茄都买不到
微软嘅垄断手法直头係摞正牌打劫
Waco 事件
Rodney King 事件
Amadou Diallo 事件
垂杀陈果人的事件
咁多事件之中我哋学唔学到
睇嘢唔係咁简单
唔係咁一面倒
就算几大嘅国家都有佢嘅问题
要放长远啲眼光客观啲去睇
唔好再净係挂住钱
做一只无知井底
《丑陋的中国人》你自己买本慢慢睇

Anime and reality - an example with LMF

Sun, 05 Nov 2006 07:32:58 GMT

As an otakaian (岡田(斗司夫)系) otaku, not a moe moe (萌え系) otaku, let me show the liberal way as to how anime is related to reality:

(The following article is transported from the LSKC family site forum)

Liberal Studies Problem Set: Hip Hop Culture (case: LMF)

WARNING

Hong Kong Advanced Supplementary Level Examination, Chinese Culture and Language, Paper II, Cultural Problems, have assessed HKAL candidates of aspects of fine art, the question of which is quoted as below:

Quote:

二.閱讀以下兩段文字,然後回答所附問題:
「中國人愛以圓融涵攝的胸襟欣賞天地萬物相關相通、和諧洽協之處,可見『合』是中國文化的一大特色。」

　(甲)上述的引文化特色,可從傳統宗教精神(4分)與藝術精神(6分)中哪些特點得到印證?

「藝術是本能的宣洩，真實的反映。讓發自內心的情緒感受流露出來,就是真;不加矯飾,把真的一面展示,就是美。率真是藝術的最高境界。若把真的一面隱藏,不敢實實在在、赤裸裸地表露,而美其名曰委婉含蓄,要人意會心領,那就是虛偽,虛偽就不美。藝術是超然的,有其獨立存在的價值,不應受世俗標準所規限。譬如以『粗口歌』發洩抑鬱不滿,正是歌者的真情流露,只有食古不化的人,才會否定這種創作的藝術性。」

　(乙)
　　（1）試從藝術的作用、表達手法和境界三個角度,將上文作者的觀點,與韋政通在〈中國文化概論﹒藝術〉一文的觀點加以比較。(6分)
　　（2）評論文中以下兩個觀點:(4分)
　　　(i)「藝術是本能的宣洩,真實的反映。」
　　　(ii)粗口歌有其藝術性。

This teaching material has proven to be the most sensitive in General Education (i.e. Liberal Studies), Popular Culture Studies and Sociology in the Chinese University of Hong Kong (http://www.cuhk.edu.hk) since 1999. To read this thread, one MUST have objective and neutral attutide as achiveing this might be very difficult by reading further below, especially for item 4 and 5.

Prelude

F. Shum in King Glory college, who is a English teacher, have a liking for LMF(大懶堂) and commented it as though-provoking. Besides, LMF songs are very often quoted by sociologists like 韓江雪 in his book 香港的鬱悶 : 新生代vs嬰兒潮世代 for the song 反骨仔. Is there any intriguing point inside LMF?

Introduction

LMF, an grass-root Hip Hop band, is famous for its alternativity of popular culture. That is, they strike the fresh way of expressing their social concerns by promoting freeedom and respect; nonetheless, they sometimes use foul language to express certain anger which cannot stand to point without it. (i.e. NOT all songs composed by LMF is foul but inspiring) In this thread, I would like to cite some of the lyrics composed by LMF and lead a role of exploring ideas inside through liberal discussion. Readers please have a open, board and comprehensive mind to read carefully what ideologies these lyrics imply. Certain Study Questions will follow to provoke reflection(反思). For further reference, please go to http://en.wikipedia.com/wiki/LMF (Note the last paragraph of the sectionControversy) and read the book 地下狂野分子 : 次文化圖文傳真 by 馬傑偉 (2001).

Examples of lyrics

Warning: They are all cantonese and by no means formal written Chinese. Underlined study question components are highly relevant to current ACG markets while those not underlined are of local popular culture.

1. R.I.P. (Purely NO foul language is comprised)

Quote:

RESPECT(尊敬)
~可否撫心自問
我愿能延續你的步韻
我愿能長存著你的聲音
我愿能你又更加接近

Mc Yan:
雖然只係一小撮人一小隊船
唔凈止係為咗一小個島一小啖氣
而係一D曆史事實我哋唔可以唔知唔可以忘記
冇可能罷買日本貨但係可以唔扮假日本人
有冇可能几時日几日先至有我哋團結嘅力量
完全靠自己做到國富民強
憑保釣嚟提醒我哋要自強

Wah:
究竟我地須要唔須要真英雄
抑或每個英雄背后充滿眼淚和傷痛
八仙岭大火燃燒喺我記憶里面
舍身成仁嘅你
親手將同學由煉獄度一個一個一個攀返出嚟
喺香港呢個冷漠自私無情地
你哋嘅犧牲就好似一記耳光
人可以活得好渺小渺小可以發光芒
向為自由而犧牲嘅人講一句
Lesson pleas~
向為喺災難而捐軀嘅人講一句
Lesson please~
不管論佢哋係有名字定係冇名字
佢哋做過嘅每一件事
無刻都提醒我哋去尋找人生嘅意義
喺呢個接近七百萬人嘅城市
就由呢一班無名英雄開始
等我哋大家一齊去紀念反思反思再反思
由呢一班無名英雄開始
等我哋大家一齊去紀念反思反思再反思

Kit:
一個好多人尊敬嘅電影人
佢將一生奉獻咗俾佢信仰嘅神
佢嘅生存為咗一個使命
將福音帶俾佢身邊所有嘅生命
從一而終嘅婚姻感情
唔似宜家D人隨便離婚攪埋D一夜情
成立藝人之家關怀朋友空虛心靈
佢嘅離開佢嘅愛你有冇去見証

Phat:
係唔係又可以趁住呢個机會去去怀念一個
你同我都好熱熟悉嘅一個偶像
佢寫嘅歌唔單單止影響我
仲有千千萬個唔知搖滾係乜嘢嘅初哥
雖然曾經有人話過你背叛咗搖滾音樂精神
為名為利走去埋沒自己
其實你嘅孤獨有邊個會知又有邊個會去理
向為熱愛生命而堅持到最后嘅人講一句
Lesson pleas~
向為理想而付出一切嘅佢講一句
lesson please~

Study Question:

1. Why LMF praise the courageous saver in 八仙岭大火? What spirit do they want to promote? And what concept are derived by they then? (Hont: Note the hypocrisy of current showbiz market in Hong Kong)

2. Irrespection of Hip Hop Culture is very rampany, especially for hegemonic authorities. This happens to the Chinese Translation of Japanese Anime Songs, such as Digimon as a prime exmple. Why should we respect Hip Hop Culture? (Hint: What is the useful aspects of Hip Pop in alternative education utilizing subcultural elements such as Graffiti?)

3. Henceforth, The composer of LMF lyrics, who appears in CUHK Popular Culture Lecture in 2006/4, have manifest his attitude towards Copyright Problem. HE said that Composing Song and Selling Song are separate thing, so illegal downloading of songs doesn't matter the spirit of composition much, and the royalty of composing song for each CD is $0.1. Only. So who is really irrespectful to music as a indivisible part of Popular Culture? (Hint: Conside the relationship between the audience and the Hip Pop production participators.)

2. 1127 (The commemoration of Bruce Lee (李小龍); NO foul language is comprised)

(Source : LMF SHITs CD in 2003 ------- foul language filtered by XX)

Quote:

Chr:
有佢教曉我地唔系東亞病夫
黃皮膚都可以做番自己
唔要跟人地抄人地黐人地
中國人 I 唔要睇死自己

Mc Yan:
公元二千年中國五千年
六十年前呢度曾經出過一個人
大家又知唔知道佢又做過一D事
行過一條路令到全世界D人都知道
乜o野叫做中國人中國精神
佢拍過電影四五部透過活動o既影像熒光幕上
前所未有o既動作速度拳腳套路哲學角度
無分國度用現代o既電影制造
向全世界解釋中國功夫文化
又行佐一條新o既道路
截拳道大懶堂今次o既呢度
凈系想你做番一個似樣o既中國人
可以學人唔使下下抄人
至好就用心去消化人地點做
試下又問下
呢度點解又有一班失敗o既人
唔支持自己人成日走去扮其他人

Phat:
一個大中華一個李小龍
無一個中國人唔為佢覺得驕傲
西洋拳劍柔道詠春北派堂腿十二路
各門各路各式各樣每一種招數
佢都用紙筆去紀錄紀錄低
唔駛做乜o野門派o既徒弟
以無法為有法
你自己就系最好o既方法
要真正表達你本質
至系最積極o既武德

Kit:
佢揀佐呢條路佢又行出佐呢一步
創立佐一套拳法叫做截拳道
佢o既主張做人要有自己o既態度
唔可以墨守成規就原地踏步
成日企響度得個諗字又唔走去做
做又諗佐條歪路
想做就去做但就最緊要行條正路
就如截拳道療陰插眼佢一定唔做

Mc Yan:
唔要欺騙自己扮假鬼唔三唔四
李小龍精神不死中國人唔會忘記
唔要欺騙自己扮假鬼唔三唔四
李小龍精神不死中國人唔會忘記

Wah:
你要知道我地中國人有乜唔好
我地有五千年曆史你有冇
為佐面子變成白色恐怖
你問心o個句你有冇
我想知道我地中國人有乜唔好
你話我封閉我話我有分數
為世界貢獻又有乜唔好
系每個人最基本你做到

Background:
Lei----Siu-----Kei------

Chr:
有佢教曉我地唔系東亞病夫
黃皮膚都可以做番自己
唔要跟人地抄人地黐人地
中國人 I 唔要睇死自己

**Repeat x2

An Forgiener's Sound:
Damn it! Shut upppppppppp .....

Study Question:

1. In this song, LMF promotes the morals of learning and criticize the rampant plagiarization, copying and following-suit of ideas, especially towards the current showbiz Hit Song production and teen girls who seeks hegemony from acceptances. Is such act feasible and realistic? (Hint: Is the current copycat condition improves or worsens?)

2. The method of learning by Bruce Lee (i.e. writing martial art notes) resembles otakaian otakus. Is such method worth praising or disapproving? (Hint: Otakus have their own way of reading comprehension prespective and styles literally while Bruce Lee build up his own frontier of martial art.)

3. In watching movies, many just leave when it comes to the screening of CAST list. Some suggested that the CAST should also be appreciated as they contribute most of the part behind every show. What is the origin for that? (Hint: Consider an example - Anime Production, where the dubber play the screening part while the song composer hard-earn inspirations without counting the time, energy and spirit depreciated.)

4. Bruce Lee have said "Learning is not enough, we must apply.". So how does LMF apply the spirit of Hip Pop? (Hint: LMF make the audience realise the morals of subculture by their own critical analysis.)

3. 人渣 (Critism of uncivil indecent assaults and irresponsible politicans; Foul Language Filtered by X)

Quote:

華：
點解會發生點解會出生十四歲生辰惡夢開始發生
你曾經系我最信任既人最終原來系魔鬼既化身
你野性既心壓向我赤裸既身你所有動作帶來連串不幸
我向你反抗你兜搥鐘我仲慘過俾人趙完松
返屋企送羊入虎口想過死便宜左我老豆
你有冇理到我感受橫掂要益人不如益老豆
佢老豆仲話識乜野神功問唔中又鐘意去探索
滿天神佛走黎打救佢架所以七年羞辱神先都唔理呀
講到尾靠自己揭發出黎唔系受苦個個系你自己

***

人渣人渣人渣一手摧毀呢個家
人渣人渣人渣甘樣一個家比地獄更差
人渣人渣人渣點解摧毀呢個家

***

William:
個世界變定天理還是個老豆真系唔識咩叫常理？
可怜呢個細路女只有怨恨恐懼痛苦被迫活在你魔掌中
為左滿足自己野性衰沖動所有嘔心行為舉動令人不敢相信。。
你几廿歲人都唔化架做埋D甘既事簡直無地自容
佢系你個女唔系發泄工具佢冇罪你絕不能暴戾
你帶俾佢唔剩只痛苦而最令人討厭系你所謂既"愛"
無知心靈受盡摧殘損害你叫佢點樣面對未來
你有冇諗過又有冇想過難到甘樣都叫"父愛"
竟然你未知道錯就等我地黎揭發你

***

人渣人渣人渣一手摧毀呢個家
人渣人渣人渣甘樣一個家比地獄更差
人渣人渣人渣點解摧毀呢個家

***

仁：
事件曝光傳媒各界爭相指實
D甘既社會問題我問你地究竟邊個負責
個特首剩系鐘意威 D口水議員就大吃西
經濟低迷奸商又偷雞
班無能官員智慧低我問你點睇

Study Question:

0. The song can actually point to the uncivil mass media who use exaggerated news reporting methods resemble those in AppleDaily. Explain (Hint: What is the implicit meaning of 一手摧毀呢個家 and 我問你點睇?)

4. WTF (This song critize political hegemony; Foul Lanauge filtered by XXXX, etc)

Quote:

我我就系一個MC (=Master of Ceremony)
我支咪既作用就系要黎講社會既問題
我就要"勞嘈" 我就要控訴
你咪X當我冇到我地就系咁X做

*你唔諗得你就要落台
你死都唔肯X走咁咪等如獨裁
你地一大班廢柴你地個個都廢形
你D高官最靚我就想贈你兩拳

官商勾結有大捻把法律"LA"走
趕盡殺絕唔會留番條路俾我走
踢出三寸街外錢唔留俾阿豬阿狗
大魚大肉D富商話之你賤過只狗
D雞有問題你就殺哂D雞
D狗有問題唔通你又殺哂D狗
D人有問題你會唔會殺哂D人
個社會咁多問題就有你班"豆泥"高層

#你唔諗得你就要落台你死都唔肯X走
咁咪等如獨裁
你地一大班廢柴我地個個都要涯
你地班粉腸系度我地實听冇望
我唔知道點解你要咁做
我唔知你咁做背后有乜野企圖
世界估八萬五冇人出黎負責
個個攤大手版我問你呢鋪點撐
冇咁大個頭就唔好戴咁大頂帽
你唔X到快D番去檢討
你"喳" 你差你老婆丟哂你假
你呢庭人正一抬衰家

你唔諗得你就要落台
你死都唔肯捻走咁咪等如獨裁
你地一大班廢柴個個固住擦鞋
不義不仁"刻"K我地D低下層

WHAT THE XXXX 唔知你做乜
唔知你搞乜你條XK根本系度混吉
你就管治口面我地H口H面
你又拍心口話乜X都得

WHAT THE XXXX

WHAT THE XXXX
我地呢度講原則
X你個陣咪X口黑面黑
我地好有意見你又唔听人勸
要我收口就一定唔捻得
WHAT THE XXXX

唔好諗住咁樣可以過關
我X你都重得
你話凍過乜就凍過乜
我X你都重得
你話你有邊一樣野真系做得好好睇睇
搞到我地几百萬人都XL晒鬼
叫到拆天忍無可忍
重要剝削我地人權自由呢鋪真系火滾

REPEAT*#

SAY WHAT THE XXXX
你出黎同我對質
SAY WHAT THE XXXX
我出黎同你對質
SAY WHAT THE XXXX
SAY WHAT THE XXXX
SAY WHAT THE XXXX
SAY WHAT THE XXXX
WHAT THE XXXX
WHAT THE XXXX
YEA

Study Question:

1. This song use a lot of alliteration and foul language to create "high" effects. Explain what consequence will be impacted on the audience if he/she/they lack principles of critical thinking. (Hint: One of the principle is 包容, i.e. understanding why LMF have suc a anger, as a logo in our school)

2. Why the LMF song artist say "YEA" instead of "YEAH"? (Hint: If they are "Y-generation", they are no longer critical bt follow the fashion suit; Note the word "諗" as puns also)

5. XKL (Critique against parapazii; Foul Language filtered by XXXX, etc)

Quote:

你D報道凈系亂咁報道失實嘅手法
夸張的嘅內容血肉模糊分開几節放響頭版當砌圖
借口話求事實其實個個爭銷路
有事你0地無立場唔識公証報道又話風水唔好
又話鬼鏈噤嘈原來系你個鼻生得唔好
你眉尖又額窄出事響個樣度
今日嘅頭版倫常慘劇案但系你將焦點放響距老豆個度
你憑D乜嘢咬定人系唔好人0地好唔好你系要中立至好
跟住揭娛樂版個度個度有大B 個度有勾佬個度有老作個度有哎交
個度揭人私隱但啲相朦到睇唔倒
我再揭到體育版個度點解有賠率印晒響度
香港足球排百几位丑到好鬼離譜踢得好會俾人去賄賂
最緊要睇埋L版兼廣告去邊度KK有第六位服務
星馬泰日韓香港定系中國好好似幫D"KD"去promo!

*唔XD你以為自己好X型 XLS uknuwutdaXXXXimsayin
XKL XKL uknuwutdaXXXXimsayin XKL

喂喂喂你話你系邊個邊個我唔X識bo
系我系覺得你好乸型不過系MXX個隻乸型
我唔理你你話你有几X矜貴系邊度出嚟又有几X巴X閉
我凈系睇你做D乜野做嚟俾我睇
你唔X使大吹大擂又話系邊個個仔正CF鬼
揸住張記者証就以為自己好X有計
又做乜X 乜做人你又要分上中下等我唸我都識分
你唔系XX就系一條YY 要扮某種階層要落蘭桂坊滾
一味靠昆正一神棍!

* Repeat

睇見你條友真系隔夜飯都嘔
男人老狗找著到X婆咁周圍走咁大個人乜野叫做丑你都唔知
貪錢貪到出晒面就系人都知
煲老藕做牛油狗中意帶住班狗仔隊走圍咁走
影嚇大頭影嚇你班豬頭狗友
香港娛記就系中意報道D咁嘅瘋狗

* Repeat x2

Study Question:

1. Why do 香港娛記s stooped to be paparazzi-prone? (Hint: Appledaily news writers are vicously competitive)

2. Paparazzi is promoted by the mindset of gossiphiles, especially teen girls. Explain physiologically why it is so. (Hint: Teen girls start to have leftbrain dominant thinking behavoirs while keeping forced unrestiction of association with their own egos.)

6. 再見型過籠 (Critism of pampered MK and YEAH teens; Foul language filtered by XXX,etc)

Quote:

喂你點解你仲未死
你眼中淨係得你自已
由細到大都無人夠膽話你
黎黎去去班友都係拍你馬屁

由你一出世個日計起
個天話左你知嗰啲叫做運氣
你老母生到你咁嘅款
唔駛憂柴憂米你梗係無皇管

喂你究竟知唔知你自已
行到邊處身邊都有陣悶氣
朝見口晚見面呀~又係你
四圍認S認屁呀~又係你

睇下你叫我睇你睇我睇你
大家一早就知應該點樣睇你
你最型你最乸型
你塊臉皮係一張好厚嘅日本旗

# 可能你呀一心要做到自已型到死
型到與別不同
拿家陣全世界咪睇住你捉蟲
再見嘞型過籠 (型過籠)
可能你呀一心要做到自已型到死
型到與別不同
拿家陣全世界咪睇住你捉蟲
再見嘞型過籠 (型過籠) #

你要型就唔係話唔俾
型唔型得起就要睇你自已
下下大條道理你咪爭住發表自已
成日咁大口氣係人都怕左你

面係人地比架就自已丟
對眼無病又駛乜成日眼超超
我話過你聽呢D就叫做"囂"
黃皮白心你點睇都似係一隻蕉(=Chinese Americans)

Damn 睇見呢種人真係驚
明明係呢度大又扮晒講中文唔係好靈
講親每句嘢都要加啲英文先至覺得好聽
Yo！What the Man.！ Yeah Yeah！.
中國人又改個日本名
好醜命生成你咁嘅樣點睇都似係
係一個HK祥!

# Repeat #

型過籠
型過籠
型過籠
型過籠

你咪再去輕挑
你好囂呀~你老母個(護)照！
你再惡也需要求饒
你咪再去騷擾
你不如~呀~返屋企食(=觸)焦！
夢想打白鴿轉

嘩靚仔你係圍響街成街人
望住你響旺角花園街
得個十一呎距離
嚇親街坊時仲沾沾自喜
你好似仲未夠皮
你個套細碼貼身小喇叭
難得你每個配搭呱啦啦
七色檸檬頭但係過期嚄
嘩型得你吖

# Repeat #

Y(YEAH)-Generation:
Oh SXXX......
Oh SXXX......

# Repeat #

Study Question:

1. Why are 黃皮白心s (a Hong Kong slang) to blame? (Hint: In terms of skin color, Yellow menas Chinese while White means America)

2. Why would Y-generation say "Oh SXXX......"? (Hint: They are no longer to be pampered anymore)

3. Is 型 really not a good practice? (Hint: To an exceeded extent 型 is a obnoxious flaunting act)

More textual analysis of lyrics will be available later.

Readers are encouraged to solve the study problem by themselves via meaningful discussion.

Conclusion
LMF disbands at 2003. That meas once LMF become mainstream, they lost originailty. Hong Kong popular music thus lose some flying colour.

Reference
http://orzt.com/lyr.php?n=MDA4MzI@00ZkMP/MYYOHk

Appendix

(Note:
Copyright is granted by the LMF cast literally.
Ask me for the manifestation letter of the copyright granting.)

1. A LMF Song: 國際人渣 (NO FOUL LANGUAGE)
http://audio.xanga.com/doraemonserv2/5dd37163803/audio.html
This song is irrelevant of the meaing of "人渣" (i.e. 掛羊頭賣狗肉) and it teach you what ideology (意識型態) is in showbiz market and international media like BBS.

2. LMF Song: VVVV (CRITICAL(偏激) COMMENTS IS INCULDED; NO FOUL LANGUAGE)
http://audio.xanga.com/doraemonserv2/9936a163827/audio.html
This song use critical tone "FIGHT" to force the audience to reflect on what wrongdoings they have done to critical moments in reality. Listen to this song only if you have clear and use critical analysis (臨界思維分析) for comprehension.

3. A doujin CG sketched by me:

(Doujin CG created by the Education Version of Macromedia Director MX)

This pic demonstrates the otakaian otakus' (like my) behaviour - they have their own way of being, such as coinage of words to fulfill the context (eg: toitoise means stoic inspectors as well as a pun; aikolise to means hentaicity-dominant genders). Some, if acquire knowledges sociology as well, may also be able to summarize ideologies into several idiograms resembling Enneagram (九型人格). To me, girls are classified as common, transitional, complex and partial according to what otakus should have - strong observation ability. With the siprit of study and investigation, otakaians otakus are being able to evolve like LMF (Hip-Hip Otakus). Moe otakus count the beauty of female characters much but otakaian ones won't: they know their own limits, such as oral capacity when compared to reality girls. Anime characters, to somewhat extent, are too ideal, especially for lolitas.

doraemonserv_acg's Xanga

Remember my NEW blog!

動畫的技術分析大綱

原文為 www.cuhkacs.org/~benng/Bo-Blog/read.php?590 (已被當膠post刪之。)

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