| As an otakaian (岡田(斗司夫)系) otaku, not a moe moe (萌え系) otaku, let me show the liberal way as to how anime is related to reality: (The following article is transported from the LSKC family site forum) Liberal Studies Problem Set: Hip Hop Culture (case: LMF)
WARNING
Hong Kong Advanced Supplementary Level Examination, Chinese Culture and Language, Paper II, Cultural Problems, have assessed HKAL candidates of aspects of fine art, the question of which is quoted as below:
| Quote: | 二.閱讀以下兩段文字,然後回答所附問題: 「中國人愛以圓融涵攝的胸襟欣賞天地萬物相關相通、和諧洽協之處,可見『合』是中國文化的一大特色。」
(甲)上述的引文化特色,可從傳統宗教精神(4分)與藝術精神(6分)中哪些特點得到印證?
「藝術是本能的宣洩,真實的反映。讓發自內心的情緒感受流露出來,就是真;不加矯飾,把真的一面展示,就是美。率真是藝術的最高境界。若把真的一面隱藏,不敢實實在在、赤裸裸地表露,而美其名曰委婉含蓄,要人意會心領,那就是虛偽,虛偽就不美。藝術是超然的,有其獨立存在的價值,不應受世俗標準所規限。譬如以『粗口歌』發洩抑鬱不滿,正是歌者的真情流露,只有食古不化的人,才會否定這種創作的藝術性。」
(乙) (1)試從藝術的作用、表達手法和境界三個角度,將上文作者的觀點,與韋政通在〈中國文化概論﹒藝術〉一文的觀點加以比較。(6分) (2)評論文中以下兩個觀點:(4分) (i)「藝術是本能的宣洩,真實的反映。」 (ii)粗口歌有其藝術性。
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This teaching material has proven to be the most sensitive in General Education (i.e. Liberal Studies), Popular Culture Studies and Sociology in the Chinese University of Hong Kong (http://www.cuhk.edu.hk) since 1999. To read this thread, one MUST have objective and neutral attutide as achiveing this might be very difficult by reading further below, especially for item 4 and 5.
Prelude
F. Shum in King Glory college, who is a English teacher, have a liking for LMF(大懶堂) and commented it as though-provoking. Besides, LMF songs are very often quoted by sociologists like 韓江雪 in his book 香港的鬱悶 : 新生代vs嬰兒潮世代 for the song 反骨仔. Is there any intriguing point inside LMF?
Introduction
LMF, an grass-root Hip Hop band, is famous for its alternativity of popular culture. That is, they strike the fresh way of expressing their social concerns by promoting freeedom and respect; nonetheless, they sometimes use foul language to express certain anger which cannot stand to point without it. (i.e. NOT all songs composed by LMF is foul but inspiring) In this thread, I would like to cite some of the lyrics composed by LMF and lead a role of exploring ideas inside through liberal discussion. Readers please have a open, board and comprehensive mind to read carefully what ideologies these lyrics imply. Certain Study Questions will follow to provoke reflection(反思). For further reference, please go to http://en.wikipedia.com/wiki/LMF (Note the last paragraph of the sectionControversy) and read the book 地下狂野分子 : 次文化圖文傳真 by 馬傑偉 (2001).
Examples of lyrics
Warning: They are all cantonese and by no means formal written Chinese. Underlined study question components are highly relevant to current ACG markets while those not underlined are of local popular culture.
1. R.I.P. (Purely NO foul language is comprised)
| Quote: | RESPECT(尊敬) ~可否撫心自問 我愿能 延續你的步韻 我愿能 長存著你的聲音 我愿能 你又更加接近
Mc Yan: 雖然只係一小撮人 一小隊船 唔凈止係為咗一小個島 一小啖氣 而係一D曆史事實我哋唔可以唔知唔可以忘記 冇可能罷買日本貨 但係可以唔扮假日本人 有冇可能 几時日几日先至有我哋團結嘅力量 完全靠自己做到國富民強 憑保釣嚟提醒我哋要自強
Wah: 究竟我地須要唔須要真英雄 抑或每個英雄背后充滿眼淚和傷痛 八仙岭大火 燃燒喺我記憶里面 舍身成仁嘅你 親手將同學由煉獄度一個一個一個攀返出嚟 喺香港呢個冷漠自私無情地 你哋嘅犧牲 就好似一記耳光 人可以活得好渺小 渺小可以發光芒 向為自由而犧牲嘅人講一句 Lesson pleas~ 向為喺災難而捐軀嘅人講一句 Lesson please~ 不管論佢哋係有名字定係冇名字 佢哋做過嘅每一件事 無刻都提醒我哋去尋找人生嘅意義 喺呢個接近七百萬人嘅城市 就由呢一班無名英雄開始 等我哋大家一齊去紀念反思反思再反思 由呢一班無名英雄開始 等我哋大家一齊去紀念反思反思再反思
Kit: 一個好多人尊敬嘅電影人 佢將一生奉獻咗俾佢信仰嘅神 佢嘅生存為咗一個使命 將福音帶俾佢身邊所有嘅生命 從一而終嘅婚姻感情 唔似宜家D人隨便離婚攪埋D一夜情 成立藝人之家關怀朋友空虛心靈 佢嘅離開佢嘅愛你有冇去見証
Phat: 係唔係又可以趁住呢個机會去 去怀念一個 你同我都好熱熟悉嘅一個 偶像 佢寫嘅歌 唔單單止影響我 仲有千千萬個唔知搖滾係乜嘢嘅初哥 雖然曾經有人話過 你背叛咗搖滾音樂精神 為名為利走去埋沒自己 其實你嘅孤獨 有邊個會知又有邊個會去理 向為熱愛生命而堅持到最后嘅人講一句 Lesson pleas~ 向為理想而付出一切嘅佢講一句 lesson please~
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| Study Question:
1. Why LMF praise the courageous saver in 八仙岭大火? What spirit do they want to promote? And what concept are derived by they then? (Hont: Note the hypocrisy of current showbiz market in Hong Kong)
2. Irrespection of Hip Hop Culture is very rampany, especially for hegemonic authorities. This happens to the Chinese Translation of Japanese Anime Songs, such as Digimon as a prime exmple. Why should we respect Hip Hop Culture? (Hint: What is the useful aspects of Hip Pop in alternative education utilizing subcultural elements such as Graffiti?)
3. Henceforth, The composer of LMF lyrics, who appears in CUHK Popular Culture Lecture in 2006/4, have manifest his attitude towards Copyright Problem. HE said that Composing Song and Selling Song are separate thing, so illegal downloading of songs doesn't matter the spirit of composition much, and the royalty of composing song for each CD is $0.1. Only. So who is really irrespectful to music as a indivisible part of Popular Culture? (Hint: Conside the relationship between the audience and the Hip Pop production participators.)
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2. 1127 (The commemoration of Bruce Lee (李小龍); NO foul language is comprised)
(Source : LMF SHITs CD in 2003 ------- foul language filtered by XX)
| Quote: | Chr: 有佢教曉我地唔系東亞病夫 黃皮膚 都可以做番自己 唔要跟人地抄 人地黐 人地 中國人 I 唔要睇死自己
Mc Yan: 公元二千年 中國五千年 六十年前 呢度 曾經出過一個人 大家又知唔知道 佢又做過一D事 行過一條路 令到全世界D人都知道 乜o野叫做中國人 中國精神 佢拍過電影四五部 透過活動o既影像熒光幕上 前所未有o既動作速度 拳腳套路 哲學角度 無分國度用現代o既電影制造 向全世界解釋中國功夫文化 又行佐一條新o既道路 截拳道 大懶堂今次o既呢度 凈系想你做番一個似樣o既中國人 可以學人唔使下下抄人 至好就用心去消化人地點做 試下又問下 呢度點解又有一班失敗o既人 唔支持自己人成日走去扮其他人
Phat: 一個大中華 一個李小龍 無一個中國人唔為佢覺得驕傲 西洋拳劍柔道詠春北派堂腿十二路 各門各路各式各樣 每一種招數 佢都用紙筆去紀錄 紀錄低 唔駛做乜o野門派o既徒弟 以無法為有法 你自己就系最好o既方法 要真正表達你本質 至系最積極o既武德
Kit: 佢揀佐呢條路佢又行出佐呢一步 創立佐一套拳法叫做截拳道 佢o既主張做人要有自己o既態度 唔可以墨守成規就原地踏步 成日企響度 得個諗字又唔走去做 做 又諗佐條歪路 想做就去做 但就最緊要行條正路 就如截拳道 療陰插眼佢一定唔做
Mc Yan: 唔要欺騙自己 扮假鬼唔三唔四 李小龍精神不死 中國人唔會忘記 唔要欺騙自己扮 假鬼唔三唔四 李小龍精神不死 中國人唔會忘記
Wah: 你要知道我地中國人有乜唔好 我地有五千年曆史 你有冇 為佐面子變成白色恐怖 你問心o個句 你有冇 我想知道我地中國人有乜唔好 你話我封閉 我話我有分數 為世界貢獻又有乜唔好 系每個人最基本你做到
Background: Lei----Siu-----Kei------
Chr: 有佢教曉我地唔系東亞病夫 黃皮膚 都可以做番自己 唔要跟人地抄 人地黐 人地 中國人 I 唔要睇死自己
**Repeat x2
An Forgiener's Sound: Damn it! Shut upppppppppp .....
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| Study Question:
1. In this song, LMF promotes the morals of learning and criticize the rampant plagiarization, copying and following-suit of ideas, especially towards the current showbiz Hit Song production and teen girls who seeks hegemony from acceptances. Is such act feasible and realistic? (Hint: Is the current copycat condition improves or worsens?)
2. The method of learning by Bruce Lee (i.e. writing martial art notes) resembles otakaian otakus. Is such method worth praising or disapproving? (Hint: Otakus have their own way of reading comprehension prespective and styles literally while Bruce Lee build up his own frontier of martial art.)
3. In watching movies, many just leave when it comes to the screening of CAST list. Some suggested that the CAST should also be appreciated as they contribute most of the part behind every show. What is the origin for that? (Hint: Consider an example - Anime Production, where the dubber play the screening part while the song composer hard-earn inspirations without counting the time, energy and spirit depreciated.)
4. Bruce Lee have said "Learning is not enough, we must apply.". So how does LMF apply the spirit of Hip Pop? (Hint: LMF make the audience realise the morals of subculture by their own critical analysis.)
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3. 人渣 (Critism of uncivil indecent assaults and irresponsible politicans; Foul Language Filtered by X)
| Quote: | 華: 點解會發生 點解會出生 十四歲生辰 惡夢開始發生 你曾經系我最信任既人 最終原來系魔鬼既化身 你野性既心 壓向我赤裸既身 你所有動作 帶來連串不幸 我向你反抗 你兜搥鐘 我仲慘過 俾人趙完松 返屋企 送羊入虎口 想過死 便宜左我老豆 你有冇理到我感受 橫掂要益人 不如益老豆 佢老豆仲話識乜野神功 問唔中又鐘意去探索 滿天神佛走黎打救佢架 所以七年羞辱神先都唔理呀 講到尾 靠自己 揭發出黎 唔系受苦個個系你自己
***
人渣 人渣 人渣 一手摧毀呢個家 人渣 人渣 人渣 甘樣一個家 比地獄更差 人渣 人渣 人渣 點解摧毀呢個家
***
William: 個世界變定天理 還是個老豆真系唔識咩叫常理? 可怜呢個細路女只有怨恨恐懼 痛苦被迫活在你魔掌中 為左滿足自己野性衰沖動 所有嘔心行為舉動令人不敢相信。。 你几廿歲人都唔化架 做埋D甘既事簡直無地自容 佢系你個女 唔系發泄工具 佢冇罪你絕不能暴戾 你帶俾佢唔剩只痛苦 而最令人討厭系你所謂既"愛" 無知心靈受盡摧殘損害 你叫佢點樣面對未來 你有冇諗過 又有冇想過 難到甘樣都叫"父愛" 竟然你未知道錯 就等我地黎揭發你
***
人渣 人渣 人渣 一手摧毀呢個家 人渣 人渣 人渣 甘樣一個家 比地獄更差 人渣 人渣 人渣 點解摧毀呢個家
***
仁: 事件曝光 傳媒各界爭相指實 D甘既社會問題我問你地究竟邊個負責 個特首剩系鐘意威 D口水議員就大吃西 經濟低迷 奸商又偷雞 班無能官員智慧低 我問你點睇
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| Study Question:
0. The song can actually point to the uncivil mass media who use exaggerated news reporting methods resemble those in AppleDaily. Explain (Hint: What is the implicit meaning of 一手摧毀呢個家 and 我問你點睇?)
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4. WTF (This song critize political hegemony; Foul Lanauge filtered by XXXX, etc)
| Quote: | 我 我就系一個MC (=Master of Ceremony) 我支咪既作用 就系要黎講社會既問題 我就要"勞嘈" 我就要控訴 你咪X當我冇到 我地 就系咁X做
*你唔諗得你就要落台 你死都唔肯X走 咁咪等如獨裁 你地一大班廢柴 你地個個都廢形 你D高官最靚我就想贈你兩拳
官商勾結有大捻把法律"LA"走 趕盡殺絕唔會留番條路俾我走 踢出三寸街外錢唔留俾阿豬阿狗 大魚大肉D富商話之你賤過只狗 D雞有問題你就殺哂D雞 D狗有問題唔通你又殺哂D狗 D人有問題你會唔會殺哂D人 個社會咁多問題就有你班"豆泥"高層
#你唔諗得你就要落台 你死都唔肯X走 咁咪等如獨裁 你地一大班廢柴我地個個都要涯 你地班粉腸系度我地實听冇望 我唔知道點解你要咁做 我唔知你咁做背后有乜野企圖 世界估 八萬五 冇人出黎負責 個個攤大手版 我問你呢鋪點撐 冇咁大個頭就唔好戴咁大頂帽 你唔X到快D番去檢討 你"喳" 你差 你老婆丟哂你假 你呢庭人正一抬衰家
你唔諗得你就要落台 你死都唔肯捻走 咁咪等如獨裁 你地一大班廢柴個個固住擦鞋 不義不仁"刻"K我地D低下層
WHAT THE XXXX 唔知你做乜 唔知你搞乜 你條XK根本系度混吉 你就管治口面 我地H口H面 你又拍心口話乜X都得
WHAT THE XXXX
WHAT THE XXXX 我地呢度講原則 X你個陣咪X口黑面黑 我地好有意見 你又唔听人勸 要我收口就一定唔捻得 WHAT THE XXXX
唔好諗住咁樣可以過關 我X你都重得 你話凍過乜就凍過乜 我X你都重得 你話你有邊一樣野真系做得好好睇睇 搞到我地几百萬人都XL晒鬼 叫到拆天 忍無可忍 重要剝削我地人權自由 呢鋪真系火滾
REPEAT*#
SAY WHAT THE XXXX 你出黎同我對質 SAY WHAT THE XXXX 我出黎同你對質 SAY WHAT THE XXXX SAY WHAT THE XXXX SAY WHAT THE XXXX SAY WHAT THE XXXX WHAT THE XXXX WHAT THE XXXX YEA
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| Study Question:
1. This song use a lot of alliteration and foul language to create "high" effects. Explain what consequence will be impacted on the audience if he/she/they lack principles of critical thinking. (Hint: One of the principle is 包容, i.e. understanding why LMF have suc a anger, as a logo in our school)
2. Why the LMF song artist say "YEA" instead of "YEAH"? (Hint: If they are "Y-generation", they are no longer critical bt follow the fashion suit; Note the word "諗" as puns also)
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5. XKL (Critique against parapazii; Foul Language filtered by XXXX, etc)
| Quote: | 你D報道 凈系亂咁報道 失實嘅手法 夸張的嘅內容 血肉模糊 分開几節放響頭版當砌圖 借口話求事實 其實個個爭銷路 有事你0地無立場唔識公証報道 又話風水唔好 又話鬼鏈噤嘈 原來系你個鼻生得唔好 你眉尖又額窄 出事響個樣度 今日嘅頭版 倫常慘劇案 但系你將焦點放響距老豆個度 你憑D乜嘢咬定人系唔好人0地好唔好 你系要中立至好 跟住揭娛樂版個度 個度有大B 個度有勾佬 個度有老作 個度有哎交 個度揭人私隱 但啲相朦到睇唔倒 我再揭到體育版個度 點解有賠率印晒響度 香港足球排百几位 丑到好鬼離譜 踢得好會俾人去賄賂 最緊要睇埋L版兼廣告 去邊度KK有第六位服務 星馬泰日韓香港定系中國好 好似幫D"KD"去promo!
*唔XD你 以為自己好X型 XLS uknuwutdaXXXXimsayin XKL XKL uknuwutdaXXXXimsayin XKL
喂喂喂你話你系邊個邊個 我唔X識bo 系 我系覺得你好乸型 不過系MXX個隻乸型 我唔理你 你話你有几X矜貴 系邊度出嚟又有几X巴X閉 我凈系睇你做D乜野做嚟 俾我睇 你唔X使大吹大擂 又話系邊個個仔 正CF鬼 揸住張記者証就以為自己好X有計 又做乜X 乜做人你又要分上中下 等我唸我都識分 你唔系XX就系一條YY 要扮某種階層要落蘭桂坊滾 一味靠昆 正一神棍!
* Repeat
睇見你條友真系隔夜飯都嘔 男人老狗找著到X婆咁周圍走 咁大個人乜野叫做丑你都唔知 貪錢貪到出晒面就系人都知 煲老藕做牛油狗 中意帶住班狗仔隊走圍咁走 影嚇大頭 影嚇你班豬頭狗友 香港娛記就系中意報道D咁嘅瘋狗
* Repeat x2
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| Study Question:
1. Why do 香港娛記s stooped to be paparazzi-prone? (Hint: Appledaily news writers are vicously competitive)
2. Paparazzi is promoted by the mindset of gossiphiles, especially teen girls. Explain physiologically why it is so. (Hint: Teen girls start to have leftbrain dominant thinking behavoirs while keeping forced unrestiction of association with their own egos.)
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6. 再見型過籠 (Critism of pampered MK and YEAH teens; Foul language filtered by XXX,etc)
| Quote: | 喂 你 點解你仲未死 你眼中 淨係得你自已 由細到大 都無人夠膽話你 黎黎去去 班友都係拍你馬屁
由你 一出世個日計起 個天話左你知 嗰啲叫做運氣 你老母生到你咁嘅款 唔駛憂柴憂米 你梗係無皇管
喂你 究竟知唔知你自已 行到邊處 身邊都有陣悶氣 朝見口 晚見面 呀~又係你 四圍認S認屁 呀~又係你
睇下你 叫我睇你 睇我睇你 大家一早就知應該點樣睇你 你最型 你最乸型 你塊臉皮 係一張好厚嘅日本旗
# 可能你呀 一心要做到自已 型到死 型到與別不同 拿家陣全世界咪睇住你捉蟲 再見嘞 型過籠 (型過籠) 可能你呀 一心要做到自已 型到死 型到與別不同 拿家陣全世界咪睇住你捉蟲 再見嘞 型過籠 (型過籠) #
你要型 就唔係話唔俾 型唔型得起 就要睇你自已 下下大條道理 你咪爭住發表自已 成日咁大口氣 係人都怕左你
面係人地比 架就自已丟 對眼無病 又駛乜成日眼超超 我話過你聽 呢D就叫做"囂" 黃皮白心 你點睇都似係 一隻蕉(=Chinese Americans)
Damn 睇見呢種人真係驚 明明係呢度大 又扮晒講中文唔係好靈 講親每句嘢都要加啲英文先至覺得好聽 Yo!What the Man.! Yeah Yeah!. 中國人又改個日本名 好醜命生成你咁嘅樣點睇都似係 係一個HK祥!
# Repeat #
型過籠 型過籠 型過籠 型過籠
你咪再去輕挑 你好囂呀~你老母個(護)照! 你再惡也需要求饒 你咪再去騷擾 你不如~呀~返屋企食(=觸)焦 ! 夢想 打白鴿轉
嘩 靚仔 你係圍響街 成街人 望住你 響旺角花園街 得個十一呎距離 嚇親街坊時仲沾沾自喜 你好似仲未夠皮 你個套細碼貼身小喇叭 難得你每個配搭 呱啦啦 七色檸檬頭 但係過期嚄 嘩 型得你吖
# Repeat #
Y(YEAH)-Generation: Oh SXXX...... Oh SXXX......
# Repeat #
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| Study Question:
1. Why are 黃皮白心s (a Hong Kong slang) to blame? (Hint: In terms of skin color, Yellow menas Chinese while White means America)
2. Why would Y-generation say "Oh SXXX......"? (Hint: They are no longer to be pampered anymore)
3. Is 型 really not a good practice? (Hint: To an exceeded extent 型 is a obnoxious flaunting act)
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More textual analysis of lyrics will be available later.
Readers are encouraged to solve the study problem by themselves via meaningful discussion.
Conclusion LMF disbands at 2003. That meas once LMF become mainstream, they lost originailty. Hong Kong popular music thus lose some flying colour.
Reference http://orzt.com/lyr.php?n=MDA4MzI@00ZkMP/MYYOHk
Appendix
(Note: Copyright is granted by the LMF cast literally. Ask me for the manifestation letter of the copyright granting.)
1. A LMF Song: 國際人渣 (NO FOUL LANGUAGE) http://audio.xanga.com/doraemonserv2/5dd37163803/audio.html This song is irrelevant of the meaing of "人渣" (i.e. 掛羊頭賣狗肉) and it teach you what ideology (意識型態) is in showbiz market and international media like BBS.
2. LMF Song: VVVV (CRITICAL(偏激) COMMENTS IS INCULDED; NO FOUL LANGUAGE) http://audio.xanga.com/doraemonserv2/9936a163827/audio.html This song use critical tone "FIGHT" to force the audience to reflect on what wrongdoings they have done to critical moments in reality. Listen to this song only if you have clear and use critical analysis (臨界思維分析) for comprehension. 3. A doujin CG sketched by me: (Doujin CG created by the Education Version of Macromedia Director MX)
This pic demonstrates the otakaian otakus' (like my) behaviour - they have their own way of being, such as coinage of words to fulfill the context (eg: toitoise means stoic inspectors as well as a pun; aikolise to means hentaicity-dominant genders). Some, if acquire knowledges sociology as well, may also be able to summarize ideologies into several idiograms resembling Enneagram (九型人格). To me, girls are classified as common, transitional, complex and partial according to what otakus should have - strong observation ability. With the siprit of study and investigation, otakaians otakus are being able to evolve like LMF (Hip-Hip Otakus). Moe otakus count the beauty of female characters much but otakaian ones won't: they know their own limits, such as oral capacity when compared to reality girls. Anime characters, to somewhat extent, are too ideal, especially for lolitas. |